New Exhibit! Sacrifice on Seminary Ridge

After months of planning, we are thrilled to announce Sacrifice on Seminary Ridge, a special exhibition opening October 9 at the Seminary Ridge Museum and Education Center in Gettysburg.

The exhibit uses wartime portraits and personal accounts to tell the stories of Union soldier-patients, surgeons, and nurses whose lives intersected within the walls of the Lutheran Theological Seminary during and after the Battle of Gettysburg. Some fought in the desperate struggle around the Seminary on July 1, 1863. Some entered its hospital grievously wounded. Others worked amid overwhelming suffering to care for them.

The exhibition grew out of a collaboration between the Seminary Ridge Museum and Military Images. Paul Russinoff, a Military Images senior editor and member of the museum’s board, originated the idea and played a key role in making it a reality.

Sacrifice on Seminary Ridge will be on view October 9–December 6, 2026. An opening-night reception will mark its debut.

We are grateful to Fleischer’s Auctions, the exhibition’s exclusive sponsor, for helping make this project possible.

The exhibit also demonstrates the power of the Civil War portrait collecting community. Images were generously shared by Scott Hann, Scott Hilts, Charles T. Joyce, Jeff Kowalis, Jason and Mark Krausz, C. Paul Loane, Faye and Ed Max, Robert May, Ronn Palm, Jim Rivest, Paul Russinoff, Brian White, and Ronald S. Coddington, with assistance from Dale R. Niesen. Additional portraits came from the Adams County Historical Society and The Liljenquist Family Collection at the Library of Congress. By bringing together these long-scattered faces, the community has allowed the soldier-patients, surgeons, and nurses of the Seminary hospital to stand together once more.

The Autumn 2026 issue of Military Images will feature two related articles: Within These Walls, a collection of portraits and accounts featured in the exhibit, and In the Line of Fire, an investigation of a memorable Mathew Brady photograph and what it reveals about the building and grounds in the battle’s aftermath.

Military Images Editor and Publisher Ronald S. Coddington will speak about the project at the Center for Civil War Photography’s conference in Gettysburg, October 2–4.

For more information, contact militaryimages@gmail.com.

Help Find Images for Fort Caspar Museum’s Soldier Cemetery

An effort to find faces of soldiers is underway at Wyoming’s Fort Caspar Museum—and the Civil War collecting community may be able to help.

Over the past several years, historian and museum director Johanna Wickman has led an ambitious project to honor soldiers who died while serving in the American West. What began decades ago with eleven commemorative headstones has grown into a memorial honoring 60 soldiers whose original graves have been lost to time. A dedication with full military honors is planned for June 19, 2027.

Johanna is now preparing a book about these men and is searching for original, identified photographs.

If you own an identified image of one of the soldiers in the project database and are willing to share it, please contact Johanna.

She is also seeking:
Original letters or other firsthand documents relating to these soldiers.
Identified photographs of soldiers who served at Fort Caspar and survived.
Connections with descendants of the honored soldiers and their regiments, who are invited to participate in the 2027 dedication ceremony.

Learn more about the Fort Caspar Cemetery Project, and visit the Fort Caspar Museum Association for additional information about how to support them.

Follow them on Facebook.

Woman’s Relief Corps, Logan’s Brigade, and the General John A. Logan Museum Join Our Ranks

We’re proud to announce that the combined organizations of the Woman’s Relief Corps, Logan’s Brigade, and the General John A. Logan Museum has joined the Kenneth J. Bertholf Jr. Civil War History Education Program—our 66th member!

The addition of these organizations puts another subscription into workers on the front lines of history— a growing network of battlefields, museums, libraries, archives, and historic sites committed to preserving and sharing the stories of the American past through education, research, and public engagement.

The Bertholf Program provides participating institutions with complimentary subscriptions to Military Images magazine and educational resources focused on Civil War portrait photography and material culture. The program is open to national battlefields, historical sites, and non-profit organizations connected to American history.

Learn more: https://militaryimagesmagazine.com/2023/11/30/the-kenneth-j-bertholf-jr-civil-war-history-education-program/

Fund a participating site or organization: https://shopmilitaryimages.com/collections/support-history/products/the-kenneth-j-bertholf-jr-civil-war-history-education-program

Want to nominate a deserving group? Contact militaryimages@gmail.com.

Participating institutions currently include sites and organizations such as Gettysburg National Military Park, Harpers Ferry National Historical Park, the National Museum of Civil War Medicine, the Library of Congress, the National Portrait Gallery, and many others across the country.

We’re grateful to every supporter helping to connect students of the Civil War and American history through period portrait photography.

John Walsh Wins 2025 Army Historical Foundation Distinguished Writing Award

We are delighted to share wonderful news from the Army Historical Foundation.

On behalf of the Foundation, Matthew Seelinger recently informed us that John Walsh’s feature, “Donelson,” has been selected as the winner of the 2025 Army Historical Foundation Distinguished Writing Award for Journals and Magazines.

John’s article explores the pivotal Union victory at Fort Donelson in February 1862, a campaign that reshaped the Civil War in its first year and propelled Brig. Gen. Ulysses S. Grant onto the national stage. Through careful research and compelling storytelling, John illuminates why this early victory proved to be one of the conflict’s defining turning points.

This honor follows an extraordinary showing for Military Images. Earlier this year, we announced that four stories from the magazine had been named finalists for the 2025 Army Historical Foundation Distinguished Writing Awards:

  • “Fort Donelson: Early Turning Point of the Civil War,” by John Walsh (Winner)
  • “‘Died at Gettysburg’: No Prouder Epitaph Need Any Man Covet,” by Charles T. Joyce
  • “On Quinby’s Watch,” by Ronald S. Coddington
  • “Bonds of Loyalty: Forged in Mexico, 1847—Tested in Texas, 1864,” by Ronald S. Coddington

To have four finalists in a single year was an honor in itself. To see one of those stories selected as the overall winner makes the recognition even more meaningful.

Presented annually by the Army Historical Foundation, the Distinguished Writing Awards recognize excellence in historical scholarship and storytelling that deepens understanding of the history of the U.S. Army. We are grateful to the Foundation and its judges for this recognition.

Since 1979, Military Images has pursued a simple mission: to showcase, interpret, and preserve Civil War portrait photography while pairing original images with thoroughly researched narratives that bring the people behind the photographs to life. Honors such as this affirm the value of that mission and the exceptional work of the historians and writers who contribute to the magazine.

Please join us in congratulating John Walsh on this well-deserved achievement—and in celebrating all of this year’s finalists, whose work reflects the high standard of scholarship and storytelling that defines Military Images.

Read the press release from the AHF.

Faces of Gettysburg’s Seminary Hospital: A Research Update

One Friday last January, I drove to Gettysburg to visit the Seminary Ridge Museum and met with Codie Eash, the Director of Education and Interpretation, and Paul Russinoff, a Military Images senior editor and a member of the museum’s board. Paul organized the meeting to discuss an idea—an exhibit of images of surgeons, patients, and attendants who were on the seminary grounds used as a temporary hospital during the three-day battle.

The meeting was a success, and it kicked off a larger effort to locate original, wartime, photographic portraits of those who were there. The project began with a remarkable dataset: a documented list of 498 patients treated at the hospital during and after the Battle of Gettysburg, along with registries of 147 attendants and 30 surgeons who cared for them—675 unique individuals.

Here’s an update on our progress.

The first and most important phase of the project relied on the generosity of collectors. Through social media, personal outreach, and the support of the Civil War photography community, collectors shared images from their collections and helped identify individuals connected to the hospital. Their contributions formed the foundation of this effort.

As the project evolved, we explored new research methods alongside traditional approaches. Using Artificial Intelligence and Large Language Models, we compared the 675-person list against thousands of identified Civil War photographs. We searched about 6,600 records of Union images published in Military Images and analyzed more than 9,000 images in the Library of Congress’s Liljenquist Family Collection of Civil War Photographs. Using ChatGPT to assist our efforts, we were able to compare the datasets, surface potential matches, and direct our attention to promising leads that were then verified through traditional historical research.

To date, we have identified 25 unique individuals connected to the Seminary Hospital for whom original wartime photographs are known to survive. Some are represented by multiple views.

This work would not have been possible without the efforts of many individuals. In addition to Paul and Codie, thanks tot he collecting community who responded to the call: Sid Dreese, Scott Hahn, Scott Hilts, Chuck Joyce, Paul Loane, Ronn Palm, Jim Rivest, and Tom Liljenquist and the staff of the Library of Congress.

While our analysis of major image databases is largely complete, the search continues. We will continue to crowdsource through social media, collector networks, descendants, and institutional contacts in hopes of locating additional photographs.

It is not too late to participate! Here’s the spreadsheet.

The exhibit is expected to open at the Seminary Ridge Museum this September. The opening is planned to coincide with the annual symposium of the Center for Civil War Photography, which will be held in Gettysburg, where the project will be shared with attendees—and, of course, with a wider audience of historians, collectors, and Civil War enthusiasts.

Onward!

Ronald S. Coddington
Editor & Publisher

From Gettysburg to Saratoga Springs, our Education Program Continues to Grow

We’re proud to announce that the New York State Military Museum has joined the Kenneth J. Bertholf Jr. Civil War History Education Program—our 65th site!

The addition of the museum puts another subscription into workers on the front lines of history— a growing network of battlefields, museums, libraries, archives, and historic sites committed to preserving and sharing the stories of the American past through education, research, and public engagement.

The Bertholf Program provides participating institutions with complimentary subscriptions to Military Images magazine and educational resources focused on Civil War portrait photography and material culture. The program is open to national battlefields, historical sites, and non-profit organizations connected to American history.

Learn more: https://militaryimagesmagazine.com/2023/11/30/the-kenneth-j-bertholf-jr-civil-war-history-education-program/

Fund a participating site or organization: https://shopmilitaryimages.com/collections/support-history/products/the-kenneth-j-bertholf-jr-civil-war-history-education-program

Want to nominate a deserving group? Contact militaryimages@gmail.com.

Participating institutions currently include sites and organizations such as Gettysburg National Military Park, Harpers Ferry National Historical Park, the National Museum of Civil War Medicine, the Library of Congress, the National Portrait Gallery, and many others across the country.

We’re grateful to every supporter helping to connect students of the Civil War and American history through period portrait photography.

Photo: Wikimedia

4 Military Images Stories Named Finalists for 2025 Army Historical Foundation Distinguished Writing Awards

Delighted to share that four stories from Military Images magazine have been named finalists for the 2025 Army Historical Foundation Distinguished Writing Awards:

“Fort Donelson: Early turning point of the Civil War,” by John Walsh
The Union victory at Fort Donelson in February 1862 reshaped the war in its first year and propelled Ulysses S. Grant to national prominence. Read.

“‘Died at Gettysburg’: No Prouder Epitaph Need Any Man Covet,” by Charles T. Joyce
A moving exploration of the life and legacy of Davids, a Philadelphia aristocrat whose sacrifice at Gettysburg resonated through family memory and history. Read.

“On Quinby’s Watch,” by Ronald S. Coddington
Colorado Lt. Ira Quinby, a Signal Corps officer at the 1864 Battle of Westport, helped direct movements that checked Price’s Raid—often called the Gettysburg of the West. Read.

“Bonds of Loyalty: Forged in Mexico, 1847 — Tested in Texas, 1864,” by Ronald S. Coddington
Two Indiana soldiers who served together in the Mexican War found themselves on opposite sides fifteen years later during the Civil War—a powerful story of divided loyalties. Read.

Presented annually by the Army Historical Foundation, the Distinguished Writing Awards recognize excellence in historical scholarship and storytelling that deepens understanding of the U.S. Army’s past.

Final scores are due from the judges on July 1, with winners to be announced shortly thereafter.

We are proud to see Military Images so strongly represented among this year’s finalists. Since 1979, our mission has been to showcase, interpret, and preserve Civil War portrait photography—pairing compelling original images with research-driven narratives that bring the past to life. These nominations reflect that commitment.

Congratulations to our authors, and our thanks to the Army Historical Foundation for this meaningful recognition.

New Special Issue Tells the Fort Donelson Story Through Photos and Stories of Those Who Were There

A new special issue from Military Images and John Walsh brings the story of Fort Donelson to life through powerful portraits and firsthand accounts.

Originally published as the cover story in our Winter 2025 issue, this 20-page presentation by John Walsh—founder of Fort Donelson Relics and a lifelong student of the Western Theater—offers a deeply informed and personal look at one of the Civil War’s pivotal early victories.

As Walsh writes, the Union triumph in February 1862 “broke the back of the secession serpent.” The fall of the fort triggered the surrender of 14,600 Confederates, opened vital rivers, and led to the loss of Nashville—while elevating a little-known general, Ulysses S. Grant, to national prominence with his demand for unconditional surrender.

From the twin blows at Fort Henry and Donelson—supported by the ironclads of Andrew H. Foote—to the engagement of more than 40,000 soldiers, this issue captures the human dimension of the campaign through the faces and stories of those who were there.

Walsh, who lives near Fort Donelson National Battlefield, has spent decades preserving relics and advancing understanding of the soldiers who fought on this ground. His work reflects a commitment to responsible collecting, historical research, and battlefield preservation.

Founded in 1979, Military Images is dedicated to showcasing, interpreting, and preserving Civil War portrait photography—and the stories behind the faces.

Get your copy for $10 plus shipping at shopmilitaryimages.com.

Military Images Represents Civil War Portrait Photography at the Rich Mountain Symposium

I was honored to attend and represent Civil War portrait photography in all its forms—daguerreotypes, ambrotypes, tintypes, cartes de visite, and other albumen prints—at the recent symposium, “Chronicling the Fight: Art & Photography of the Civil War,” presented by The Rich Mountain Battlefield Foundation and Davis & Elkins College in Elkins, W. Va.

Cliff Krainik discusses the career and contributions of Mathew Brady. (Military Images)

Held near the historic Rich Mountain battlefield, the setting placed us squarely on ground tied to the 1861 Western Virginia Campaign—an early and decisive phase of the war that helped secure the region for the Union and set the stage for the creation of West Virginia. You students of the Civil War know the names associated with this campaign: George B. McClellan, whose success here helped launch his national reputation; William S. Rosecrans, whose flanking movement at Rich Mountain proved decisive; Lew Wallace, then early in his wartime service; and Robert E. Lee, whose struggles in the rugged terrain marked one of the few setbacks in his military career.

My sincere thanks to Rick Wolfe for the invitation and to the entire team at Davis & Elkins for their warm welcome and thoughtful hospitality. The setting, organization, and attention to detail made for an outstanding experience from start to finish.

The symposium itself was exceptionally well structured: four engaging presentations spaced comfortably throughout the day, a welcome lunch break that encouraged conversation, and a terrific panel discussion that brought all the speakers together for a lively and insightful exchange.

My fellow presenters inspired me: Rick Wolfe on “Photos and Stories of West Virginia Soldiers,” Hunter Lesser discussing “Artists at War: The First Campaign,” and the legendary Cliff Krainik sharing his knowledge about “The Incomparable Civil War Photographer, Mathew B. Brady.”

Last but not least, I very much appreciated the audience—curious, engaged, and asking thoughtful questions that elevated the discussion. The combination of venue, pacing, and participation created a comfortable atmosphere. I left energized!

For more about the Rich Mountain Battlefield and its history, visit: https://beverlyheritagecenter.org/rich-mountain-battlefield/

Tour Arlington National Cemetery’s Civil War History on Saturday, March 7, 2026, at 1 P.M.

Join us for a free tour of key Civil War sections at Arlington National Cemetery on Saturday, March 9, 2024, rain or shine. We’ll meet at the Visitor Center entrance at 1 p.m. for a 2.5-hour walking tour of Sections 1 and 2, and around Arlington House, The Robert E. Lee Memorial. 

Leading our tour is Jim Garrett, senior guide and trainer for Unscripted Tours. Jim led us on a Lincoln assassination tour last year, and two years ago, different sections of Arlington. 

If you are in town for the D.C. Antique Photo, Postcard & Civil War Show (Sunday, March 8), in the D.C. area, or plan on visiting the city, join us! For you show-goers, we’ll finish the tour with plenty of time for you to grab dinner and visit dealer rooms the evening before the show.

From our guide, Jim: “Plan on 2 1/2 miles of walking. We’ll see lots of unexpected sites. Our Arlington tour is rated by Viator as one of the top 20 tours (of all kinds of tours, food, white water, ghost, etc.) in America!”

For more information and questions, please contact Ron Coddington at militaryimages@gmail.com, Facebook message or text/voice at 703-568-1616.

Hope you can join us! I look forward to seeing you in person on the hallowed grounds of Arlington National Cemetery.

—Ronald S. Coddington, Editor and Publisher

Photo credits: Library of Congress, National Portrait Gallery