Announcing Our First Ever Civil War Faces Show & Sale

Civil War Faces and Military Images magazine are delighted to announce our first-ever Civil War Faces Show & Sale. Join us March 8-10 in Arlington, Va., for several exciting events:

Exclusive tour of the Library of Congress

Friday, March 8, 2:30 p.m. (meet in the lobby at 2:15 for security check)
James Madison Building
Prints & Photographs Reading Room 337
Washington, D.C.
Event is free, but you must pre-register with Doug York, Civil War Faces
(757) 610-1898 or civilwarfaces@gmail.com

Micah Messenheimer, Associate Curator of Photography of the Prints and Photographs Division will lead a back stage tour of selected images from the Civil War collections. After the tour, we’ll meet up for dinner at a local restaurant. The tour is limited to 15 guests. Please contact Doug York to join the list: civilwarfaces@gmail.com

Civil War Photo Talks

Saturday, March 9, 6-9 p.m.
Club Room
Holiday Inn Rosslyn
1900 Fort Myer Dr., Arlington, Va.
Event is free. No registration required.

Join us for five presentations focused on showcasing, interpreting and preserving images. Snacks provided.

Civil War-Era Photographs:
Highlights from the National Portrait Gallery
Ann Shumard, Senior Curator of Photographs

In 1976, the National Portrait Gallery formally launched its Department of Photographs. Since that time, each successive curator has worked diligently to build the museum’s collection of portrait photography—including works documenting the key figures of the Civil War era. This illustrated talk will feature highlights from this collecting effort, which very much remains a “work in progress.”

Picturing the Civil War:
Collecting at the Library of Congress
Micah Messenheimer, Associate Curator of Photography

The Prints & Photographs Division of the Library of Congress holds one of the country’s foremost collections of Civil War photography. These treasures comprise not just the studio archives of Mathew Brady’s firm, but continued acquisitions like the Liljenquist collection of cased photographs and cartes-de-visite of everyday men and women, the Gladstone collection of portraiture documenting the social and military history of African-Americans, the Stanford collection of stereographs, major albums of the war, and work by contemporary photographers commenting on the conflict’s continued resonance in America. This talk will examine the varied ways in which these collections have been developed, preserved, and used throughout their history.

Civil War Photo Sleuthing:
Past, Present, and Future
Dr. Kurt Luther, CivilWarPhotoSleuth.com

People have struggled to identify unknown soldiers and sailors in Civil War photos since even before the war ended. In this talk, I trace the 150-year history of photo sleuthing, showing how the passage of time has magnified some challenges, but also unlocked exciting new possibilities. I show how technologies like social media, face recognition, and digital archives allow us to solve photo mysteries that have eluded families and researchers for a century and a half.

The Civil War Photos of the National Archives
Bryan Cheeseboro, National Archives staff

Bryan shares stories about rare events in the hallowed halls of the repository of Civil War records: Finding original Civil War photographs in pension files.

Through a Collector’s Eye
Rick Brown, Senior Editor, Military Images

Rick reviews a selection of images from his collection with an eye to art appreciation, research concepts and social issues.

Civil War Faces Show & Sale

Sunday, March 10
Dogwood Room
Holiday Inn Rosslyn
1900 Fort Myer Dr., Arlington, Va.
Show hours: 10 a.m.-4 p.m.
General admission: $7 (Students with ID free).
Early-bird admission (8:30 a.m.): $25

In conjunction with the 36th Annual D.C. Antique Photo, Postcard & Camera Shows. For more information:
https://www.facebook.com/groups/civilwarfacesdcshow/
http://antiquephotoshow.com/

Questions? Please Contact Us

Doug York, Civil War Faces
(757) 610-1898
civilwarfaces@gmail.com

Ron Coddington, Military Images
(703) 568-1616
militaryimages@gmail.com

New Senior Editors

Military Images covers for Rich Jahn and Kevin Canberg

Pleased to announce that Military Images is expanding its list of Senior Editors to include two outstanding members of the collecting community: Rich Jahn and Kevin Canberg. Both have been wonderful supporters of our mission to showcase, interpret and preserve Civil War soldier and sailor photographs. Please join me in congratulating them.

Rich Jahn is a longtime collector of Civil War portrait photography. An army veteran and Rutgers University graduate, he got his start during the Civil War centennial and later focused on Union and Confederate buckles before embracing ambrotypes and tintypes. A model citizen in the collecting community, Rich is well known to many in the hobby from his appearances at Civil War shows. Rich’s images have been featured in the Time Life Civil War series and in numerous issues of MI, including Volume 1, Number 1, and a gallery of representatives images in the Autumn 2017 issue. He has also served for many years as treasurer of his local Civil War Round Table. The father of two grown children, Rich is retired from 3M and lives with his wife Dianne in Paramus, N.J.

Kevin Canberg, an avid collector of American historic photography, has been both researching and writing about early photography’s role during the Civil War era since his time as a journalism student at Loyola University Maryland. Images from his collection have been featured in numerous books and magazines, and he has placed historic photographs in major public collections and museums, including the Library of Congress. Kevin is a regular contributor of both photographs and articles to MI, including a featured gallery in the Fall 2018 issue. His Civil War-focused writing has also been published in periodicals including the Baltimore Sun. Kevin earned his JD from Pace University School of Law and makes his living as a legal risk management executive for a large financial services company. He shares a passion for early American images, art, and artifacts with his wife, Sarah, and daughter, Darcy.

Where Light Meets Lens

Buck Zaidel is perhaps best known as the co-author of the book, Heroes for All Time: Connecticut Soldiers Tell Their Stories. He is also a savvy collector with a keen eye for unique images. Here we showcase selected images from his holdings. Learn more about this story and others with our finding aid.

Portraits on The Point

The rocky outcropping that overlooks Chattanooga, Tenn., became the scene of one the most dramatic moments of the Civil War after Union soldiers raised the Stars and Stripes in victory over Confederates on Nov. 25, 1863. Soon after, enterprising photographer Robert M. Linn set up a gallery and captured uncounted numbers of soldiers who visited the iconic spot. In this gallery, we showcase representative images from private collections. This is the second in a three-part series. Learn more about this story and others with our finding aid.

Jerseymen!

The state of New Jersey’s contribution to Northern arms is evident in the faces and stories of volunteers who served in the Union armies during the Civil War. Original images are included here, many published here for the first time, along with their personal narratives. Learn more about this story and others with our finding aid.

Guardians of Honor

Though the standard by which the Medal of Honor is substantially the same as it was during the Civil War, the process by which the awards are made is far more rigorous. Two stories here examine how the lack of validation impacted the decoration, and highlight the actions of two forgotten soldiers. Learn more about this story and others with our finding aid.

Finding Aid: Winter 2019

The complete issue

Vol. XXXVII, No. 1
(80 pages)

Print edition: Visit our store to check availability
Digital edition: Visit JSTOR.org to purchase
Subscribe to MI ($24.95)
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Inside

Cover image
A sixth-plate tintype from the Buck Zaidel Collection pictures two Union pards fighting for each other and the flag.
Download (free)

Table of Contents (p. 1)
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Editor’s Desk (p. 2)
The editor marks the magazine’s 40th year by placing the publication in context to key events in the modern history of collecting. Also noted is the passing of John R. Sickles, an icon in the collecting community and a former Senior Editor of MI.
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Mail Call (pp. 3-4)
Feedback includes an example of uncommon placement of chevrons on the coat sleeve of a hospital steward, a question about a Texas identification and a request for more Confederate images.
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Military Anthropologist (p. 4)
An analysis of the 19 loyal states that did not border the Confederacy shows seven exceeded their quotas for Union troops and the rest barely missed making their numbers.
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Passing in Review (p. 6)
Gettysburg’s Coster Avenue: The Brickyard Fight and the Mural (Gettysburg Publishing LLC) by Mark H. Dunkelman is the story of how one man’s vision added an artistic masterpiece to a less-traveled section of the Gettysburg battlefield.
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Photo Sleuth by Kurt Luther (pp. 8-9)
In “What to Do When Gold Standards Go Wrong,” Kurt revisits a column published in the Autumn 2016 issue after alert reader Doug Sagrillo presented him with an identified carte de visite that challenged another listed with a different name in a reputable public collection.

Antebellum Warriors (p. 10)
A quarter-plate ambrotype from the Dan Binder Collection is a portrait believed to be a militia staff officer sitting next to his feathered hat and a document.

Most Hallowed Ground (p. 12)
Pvt. George Washington Tucker survived the deadliest day in Vermont history—May 5, 1864. He and his fellow Vermonters suffered 1,234 casualties during the fighting in The Wilderness.

The Honored Few (p. 14)
Cecil Clay, a captain in the 58th Pennsylvania Infantry, was conspicuous for gallantry during the attack on Fort Harrison on Sept. 29, 1864. The fight cost him an arm, and resulted in his being awarded the Medal of Honor.

The Citizenry (p. 16)
A group of women stand on the back stairs of a clapboard building in Corning, N.Y. Several of them hold hats in various stages of completion, indicating that they are milliners.

Where Light Meets Lens: Representative images from the Buck Zaidel Collection (pp. 18-29)
Buck Zaidel is perhaps best known as the co-author of the book, Heroes for All Time: Connecticut Soldiers Tell Their Stories. He is also a savvy collector with a keen eye for unique images. Here we showcase selected images from his holdings.

Portraits on The Point: Representative photographs by the studio of Robert M. and James B. Linn by Dr. Anthony Hodges with images from his and other collections (pp. 31-42)
The rocky outcropping that overlooks Chattanooga, Tenn., became the scene of one the most dramatic moments of the Civil War after Union soldiers raised the Stars and Stripes in victory over Confederates on Nov. 25, 1863. Soon after, enterprising photographer Robert M. Linn set up a gallery and captured uncounted numbers of soldiers who visited the iconic spot. In this gallery, we showcase representative images from private collections. This is the second in a three-part series.

Jerseymen! A survey of Civil War soldiers and sailors from the John Kuhl collection (pp. 44-55)
The state of New Jersey’s contribution to Northern arms is evident in the faces and stories of volunteers who served in the Union armies during the Civil War. Original images are included here, many published here for the first time, along with their personal narratives.

New Jersey’s Splendid Colors Recall a Terrible Struggle (pp. 56-57)
An 1885 fire in the New Jersey state capitol building almost destroyed the precious colors carried by regiments during the late Civil War. The 19 men who saved the flags received badges of honor for heroism. One of them, William S. Stryker, accepted the badge with a moving speech.

Guardians of Honor: Men and events that shaped the Medal of Honor by Ron Maness (pp. 60-66)
Though the standard by which the Medal of Honor is substantially the same as it was during the Civil War, the process by which the awards are made is far more rigorous. Two stories here examine how the lack of validation impacted the decoration, and highlight the actions of two forgotten soldiers.

Captain Ramsey and the Birth of the “True Blues” by Ronald S. Coddington (pp. 68-70)
David Wardlaw Ramsey numbered among the first Alabama men to join the army in 1861. Those early, heady days of excitement soon gave way to pain, suffering and loss at Island No. 10, Port Hudson and elsewhere.

“Admiral Johnston”: An unofficial powder boy’s courage under fire by Ron Field (pp. 73-75)
Pint-size 6-year-old James Vincent Johnston could scarcely be kept out of harm’s way after he and his mother were trapped aboard the gunboat Forest Rose during a fight near Vicksburg, Miss., in early 1864. His father, the commander of the vessel, resorted to tying the boy to a chair in his cabin to keep him safe. It didn’t work. What happened next became the stuff of navy legend.

British Invasion! Confederate portraits in England by John O’Brien (pp. 76-77)
During the latter period of the war, a series of cartes de visite of Confederates, including President Jefferson Davis, Gen. Robert E. Lee and political and military leaders, was published in London by photographer Charles B. Walker in partnership with Florida lensman S.C. McIntyre. Long overlooked, we explore the history of this unique grouping.

Stragglers: Distinctive Images from MI contributors (pp. 78-79)
“Southern Warriors” features four images of Confederates.

The Last Shot (p. 80)
An eighth-plate tintype from the Michele Behan Collection is a portrait of a heavy artilleryman or an infantryman posed with a cannonball.

The Linns of Lookout: The enterprising brothers behind a legendary photograph gallery

In this first installment of a three-part series, we meet two brothers who documented the scene of one of the great moments in Civil War history—the Nov. 24, 1863, Battle of Lookout Mountain during the Chattanooga Campaign. Images include various views of the area around Lookout Mountain, the gallery and several of the best known individual and group portraits. Learn more about this story and others with our finding aid.