Finding Aid: Sept./Oct. 1979

The complete issue

Vol. 1, No. 2
(28 pages)

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Inside

Cover Image
The cover of this issue features an unidentified Zouave of the 155th Pennsylvania Volunteer Infantry, who was wounded in the left arm at Chancellorsville.

Editor’s Page (inside front cover)
The editor of Military Images responded to the many positive responses for the first issue and thanked the readers. Some concerns that readers identified were addressed, and the procedure for the submission of articles was outlined. Changes in the format of this specific issue (in order to accommodate the article by Joseph G. Bilby) were explained.

Captain Zalinski’s Amazing Pneumatic Dynamite Gun by J.D. Truby (pp. 2-5)
This interesting article discusses the development of the dynamite gun, which used pneumatic pressure to fire explosive projectiles. Beginning with experimentation with an existing design, Capt. Edmund L.G. Zalinski worked with Pratt & Whitney on the project. He later found that changing the design of the missile made the weapon more effective; these changes were later seen in the design of the artillery shells used in tank-killing bazookas of World War II. Zalinski also developed an electric fuse that was used with the system. Eventually his design was adopted by the U.S. Navy and placed in the gunboat Vesuvius in 1890. The issue of accuracy was raised, as the guns were fixed; the ship itself had to move around to aim the dynamite guns. The article includes two images of the Vesuvius, with the dynamite guns which were proven to be an effective weapon during its use in the siege of Santiago in the Spanish-American War in 1898.

Savage Spring: The 15th New Jersey Volunteer Infantry Regiment at the Battle of Spotsylvania by Joseph G. Bilby (pp. 6-13)
An excerpt from his upcoming book, Trampling Out the Vintage: The Story of the 15th New Jersey Infantry, the article begins with the descriptions of two group photographs taken in March 1864. One was of the line officers of the 15th New Jersey and the other was the NCOs and First Sergeants. The article goes into detail on the stories of many of the identified men from both images during the May fighting known as the Battle of Spotsylvania. The article is accompanied by five individual images, along with more extensive narratives of their experiences. The article gives the reader a very good sense of the destructive nature of the spring 1864 campaign outside of Richmond.

What Is A Zouave? By Michael J. McAfee (pp. 14-18)
The author of this enlightening article provides a short history of the Zouave, beginning with the French Army in North Africa. While variations in uniforms grew, the Zouave regiments became effective light infantry units with the reputation of sharpshooters throughout European militaries. Their adoption by American militia companies, most notably the Zouave Cadets of Illinoisan Elmer E. Ellsworth, came in 1860, just prior to the outbreak of the Civil War. The author stresses that American Zouave uniform was generally a fanciful variation of the North African uniform although some authentic versions existed. hey varied widely from regiment to regiment, which is illustrated with one large group image and six individual soldier images, which the author uses in his discussion. The author advises collectors of Zouave images to take care that they do not dismiss images of individuals wearing standard Civil War uniforms, as they may have belonged to named Zouave regiments. He included an image of Capt. Thomas Skelding of the 10th N.Y.V.I. (the “National Zouaves”) who was wearing a frock coat with long skirts. The uniform of the Chasseur is also not to be confused with the Zouave; the indicator is the length of the skirts on the jackets, which were between 6 and 12 inches. Officer uniforms would sometimes vary from the unit’s enlisted men, and the use of the Zouave uniform did continue past the Civil War as well.

Mike McAfee’s Zouaves (pp. 19-26)
The author of the previous article showcases 48 different carte de visite images of individual soldiers wearing Zouave uniforms. This includes Col. Elmer E. Ellsworth of the 11th New York Volunteer Infantry, who popularized the Zouave uniform in the United States. There is also a carte de visite image of Francis E. Brownell, wearing a different type of Zouave uniform; Brownell shot the Alexandria, Virginia hotel owner who killed Col. Ellsworth at the start of the Civil War. Many of the soldiers wear veteran sleeve stripes or corps badges, indicating that the Zouave uniform was worn continually throughout the war.

Battle at Fismette (p. 27)
This short article describes the intense fighting engaged in by a number of infantry units from Pennsylvania’s 28th Division during World War I in August 1918 in France. Defending the town of Fismette on the Vesle River, the regiments came up against heavy German fire, including gas, extended artillery bombardments, and frequent hand-to-hand street fighting. The focus of the article is on the activity of the 110th Ambulance Company, which evacuated over 500 casualties. The grandfather of MI’s editor, serving in the capacity of wagoner, was a recipient of the Distinguished Service Cross and is pictured.

Back Image
Pictured here is Eugene Beaver of the 4th U.S. Cavalry, D Troop, is pictured on January 24, 1899. He served in the Philippines, where he contracted malaria and chronic dysentery, prompting his medical discharge in 1901. He returned to service in 1903, enlisting in the Marine Corps under a different name; he was honorably discharged in 1907 and died in 1910 at the age of 36.

Finding Aid: July/Aug. 1979

1979-v1-01-cover

The complete issue

Vol. 1, No. 1
(28 pages)

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Inside

Cover
The cover image for this initial issue of Military Images is of the four Warner brothers, the subject of the focus article for the issue. It is a 6-¼ x 8 inch albumen photograph taken in 1862.

Editor’s Page (inside front cover)
Harry Roach, the editor of Military Images, welcomes readers to the magazine “devoted to preserving the photographic record of the American fighting man of the period 1839-1939.” He discussed the interests of subscribers as indicated on their subscription forms, and stressed the desire to make the magazine a reflection of the reader.

Mail Call (p. 2)
Several subscribers wrote to express their enthusiasm for the publication. Others wrote to ask questions about the parameters of the images for submission and suggested topics for consideration.

Mission to Poland by Dale Biever (pp. 3-4)
This article described an unusual artifact from the Great War along with two photographs of Army Field Clerk Russell Stambaugh, of the American Expeditionary Force. Stambaugh participated in a special commission in 1919 sent to Poland to investigate issues between Jews and non-Jews that were complicated by the conflict between the Polish Army and the Bolsheviks. Twelve Americans were put on this investigative commission, and were given a special service patch to wear on their uniforms. This “Polish Mission” patch, in silver bullion over crimson velvet and depicting the Polish national eagle, is shown in one of the two photographs.

Passing in Review (p. 4)
The Illustrated History of American Civil War Relics by Stephan W. Silvia and Michael J. O’Donnell is reviewed in this issue.

British Rifle Volunteers of the 1860’s: Don’t Mistake John Bull for Johnny Reb by Philip Katcher (pp. 5- 8)
The history of the British Rifle Volunteers is discussed in this article, accompanied by six different images used to illustrate descriptions of their uniforms. Many of the British Rifle Volunteers were from the middle class in Britain, and took the opportunity to have cartes de visite made of themselves in uniform. Frequently mistaken as pre-Civil War Americans or Canadians, the author goes into the history of these British soldiers and describes the variations in their uniform details. An example is a carte de visite image of a Rifle Volunteer, complete with gaiters, 1853 pattern rifle-musket, and kepi with a pompon.

An Interview with William Frassanito (pp. 9-13)
The author of two books on the Civil War, Military Images interviews William Frassanito on his interest in civil war photography and the planning behind his work-in-progress on the campaigns from the Wilderness to Appomattox. He shares some interesting insights on some of the photographs he has selected for inclusion, including how modern technology has pinpointed the time of day that a photograph taken of Confederate troops on September 10, 1862 in Frederick, Maryland.

The Warner Brothers Go to War (pp. 14-18)
The cover story article for this issue of Military Images tells the story of four brothers from Pennsylvania who fought for the Union in the Civil War. The article follows the military careers of the four throughout the conflict, and who symbolize the typical experiences of many soldiers on both sides. One brother died, one was wounded, one was invalided out, and one survived. The article also includes documents and several other family images, including two images of Warner brothers-in-law.

Ronn Palm’s Favorites (pp. 19-26)
The collection of 23 images from Pennsylvania collector Ronn Palm displays a wide variety of individual and group images. This includes a number of Zouave images (such as the “skirmish line” from a 1/6th plate tintype), cavalry (an outdoor image of an officer and trumpeter from a 1/4 plate tintype), a carte de visite of possibly a father and two young sons all in uniform, and a casual portrait of a soldier wearing dark glasses.

Postscript (p. 28)
As this issue of Military Images was going to press, information regarding the service of a fifth (and possibly sixth) Warner brother was noted.

Back Image
Two images identified as “unidentified Pennsylvania National Guardsmen from the turn of the century” are shown.

Finding Aid: Spring 2014

2014-v32-02-xxxii

The complete issue

Vol. XXXII, No. 2
(56 pages)

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Inside

Cover image
A sixth-plate tintype from the collection of Rick Brown shows a youthful Union soldier wielding a cavalry sword and M1860 Colt revolver. The contrast between his youthful appearance and his intense gaze is captured in this image, which prominently features his weaponry.

Table of Contents (p. 1)

Editor’s Desk (p.2)
Showcase. Interpret. Preserve. This issue of Military Images reiterates the stated core mission of the publication which “is as important now as when the first issue of MI rolled off the press in the summer of 1979.” The personal portraits of citizen soldiers and the images of ordinary life 150 years ago have come to take a place in the visual history of the United States, from well-known photographic pioneers like Mathew Brady and Alexander Gardner to those of unknown or forgotten photographers. Their work still captures the imagination of collectors both old and new, remaining the focal point of Military Images today and into the future.

Lines of Fire: Iconic Images of Civil War Soldiers From the Rick Brown Collection (pp. 3-27)
This selection of 26 images is from the collection assembled by Rick over the past 15 years. The collection includes ambrotypes and tintypes that provide a study of the equipment, uniforms, and weaponry of both Union and Confederate soldiers, as well as highlighting the aesthetics and imagery of the photographs themselves. The selection provided here includes the issue’s cover image that shows a contrast between youth and determination; a Federal cavalry trooper posing with five firearms and a sheathed saber that shows the industrial potential of the North; a Union soldier likely from the 23rd New York Infantry shown prepared for the fight, with a wonderfully balanced composition between the subject and the background.

Passing in Review (p. 28)
The new publication, Faces of Fort Fisher, 1861-1864 by Chris E. Fonvielle, Jr., is reviewed.

Antebellum Warriors (p. 29)
A soldier from the Mexican War era is featured in this photograph. Various unique features found on his cap and uniform make a clear identification of his belonging to a particular regiment difficult.

A Picture of Treason: The Military Commission Trial of Maj. Henry Kyd Douglas, C.S.A. by Jonathan W. White (pp. 30-33)
The article discusses the trial of one of Thomas J. “Stonewall” Jackson’s former staff officers, Major Henry Kyd Douglas, who was tried with treason. At the suggestion of a young lady, Douglas went to have his photograph taken at the studio of Thomas L. Darnell on May 5, 1865, in Shepherdstown, W.V. His crime was returning to his friend’s home still wearing his Confederate uniform after having the portrait made. “Seldom even in these strange times has so small an act been so grossly misconstrued so greatly exaggerated so trivial a fault so grievously answerable,” Maj. Douglas told the court.

Uniforms & History by Michael J. McAfee (pp. 34-37)
The article “Zouaves of ‘64” examines the continuing use of the zouave styled uniform in a series of 9 images from the author’s collection, debunking the common belief that the zouave uniform went the way of the Havelock after the first year of the Civil War.

Battle Shirt! A Field Guide to Unusual Patterns of Civil War Shirts by Ron Field (pp. 39-44)
An examination of the various types of battle dress known as battle, hunting, Garibaldi, or fire shirts is provided. The article includes 12 images that illustrate the garment’s origins, variations in design, and different styles from both Northern and Southern regiments beyond the well-known red battle shirt of Confederate General A.P. Hill.

Stragglers (pp. 45-50)
MI subscribers have provided a wide sampling of 13 unique photographs. The feature starts off with a heartwarming story of Mary Harman, holding their infant daughter in her lap and a photograph of her husband Samuel Harman in her hand. It is paired with an image of Samuel Harman holding the tintype sent to him by his wife. Also included are two different tintypes of an unidentified Federal soldier taken at the same time, but were separated over time. Collector Matthew Fleming reunited the images after finding one in California and the other in Michigan.

A Conspicuous Target: Maj. William Ellis, 49th N.Y. Infantry, at the Bloody Angle by Scott Valentine (pp. 51-52)
The author tells the story behind a carte de visite in his collection. Major William Ellis was a Canadian serving as an officer with the rank of major in the 49th NY Infantry. A veteran of several significant battles, Ellis’ wound at the Bloody Angle in May 1864 “ranks as one of the most bizarre battlefield injuries on record.”

The Last Shot (p. 56)
This carte de visite is of Captain George Albert Gerrish of the 1st New Hampshire Light Artillery and his wife, Caroline Parker (Kimball) Gerrish. This affectionate portrait is part of the collection of Rick Brown, and is a favorite of his mother, who insisted that he add it to his collection.

Youthful Warrior

young-cavalry-gallery

A youthful warrior displays his cavalry sword and M1860 Colt revolver. The intensity of his gaze and prominence of his weapons underscores his commitment to the Union and willingness to fight, and creates a stark contrast with his boyish innocence suggested by the soft curves of his face. He wears a Hardee hat with crossed sabers of the cavalry, and a star insignia that may indicate his allegiance to the Twelfth/Twentieth Corps. Collector and owner Rick Brown observes that the weapons “wonderfully frame the sitter’s face, and since they are held close to the camera it makes his diminutive size even more dynamic.” This sixth plate tintype was made by an anonymous photographer.

USCT Album Donated to Smithsonian

25th-usct

An album of portraits of men from the 25th U.S. Colored Infantry has been donated to the Smithsonian’s National Museum of African American History and Culture. The photos were published for the first time in the Winter 2014 issue of Military Images magazine.

The album was donated to the museum by a descendant of Capt. William A. Prickitt. The descendant currently remains anonymous. Prickitt started his military service in the 14th New Jersey Infantry, and became the original commander of Company G of the 25th when it was organized in Philadelphia in early 1864. The album contains 18 gem-sized photographs, almost all tintypes. Someone, perhaps Prickitt, carefully wrote the names of 17 of the 18 men on the mat below each image.

The soldiers hailed mainly from Delaware, New Jersey and Pennsylvania. One of the men, George H. Mitchell, was a slave in Delaware. His master, Caleb Layton, enlisted him in the Union army. Layton received the $300 bounty, a Mitchell received his freedom when his term of enlistment ended.

The album was brought to the attention of Military Images by Shayne Davidson, an artist and genealogist who discovered the photographs and created a series of drawings exhibited at ArtPrize 2013 in Grand Rapids, Mich. Her “Civil War Soldier” drawings were recognized in the top 25 of more than 1,500 entries.

According to a family story supported by military service records, Capt. Prickitt fell deathly ill during his service in the regiment, and noted that some of the men in his company nursed him beck to health. The men pictured in the album may have been the same soldiers that Prickitt credited with saving his life.

The National Museum of African American History and Culture is scheduled to open in 2015. The album is planned to be part of two inaugural exhibits.

Spring 2014 Cover Unveiled

mi-cover-32-2-spring-2014

Delighted to share the cover art for the next issue of Military Images. Special thanks to Rick Brown—This image is from his wonderful collection, which is featured prominently in this issue.

MI is scheduled to be printed next week.

If you’re not a subscriber, now is a great time. Sign up today for a one year subscription and receive 4 quarterly issues—plus a fifth issue free!

Trooper Group

viper-gallery-6-cavalrymen

Six troopers pose with their sabers for the camera operator. Visible on the vests of five of the six men are star-shaped badges, which may indicate that they belonged to the Union Twelfth or Twentieth Corps. The individual standing on the left wears the stripes of a sergeant, making him the highest-ranking member of the group.

Preserving the Honor of Lady Liberty

viper-gallery-liberty

Columbia, or Lady Liberty, sits atop a podium trimmed with material on which is painted or sewn stars and an eagle with wings outstretched. She holds above her head a liberty cap hung from a pole, the traditional symbol of freedom that dates before Roman times. She also holds the shield of the United States, which represents defense, military strength and nationalism. Lady Liberty is flanked by representatives of the Union army and navy. Each holds a staff trimmed with ribbon, to which is attached the Star-Spangled Banner. The flags are crossed to provide a backdrop for Columbia, who they have pledged to defend.

Finding Aid: September/October 1990

The complete issue1990-v12-02-xii

Vol. XII, No. 2
(32 pages)

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Inside

Cover image
A quarter-plate ambrotype from the Martin Callahan Collection is a Confederate soldier with a flintlock to percussion conversion musket and a Louisiana belt plate.

Editor’s Desk (p. 1)
The editor urges readers to attend the upcoming living history and Civil War battle reenactments at Cedar Creek Battlefield. Profits will support efforts by the Cedar Creek Foundation to save battlefield land from development.

Mail Call (p. 3)
The letters to the editor include kudos for the North Carolina issue (November-December 1989), corrections from a descendant of a South Carolina soldier pictured in the May-June issue and concern from one reader about modern reproductions.

Passing in Review (p. 5)
Five publications are mentioned: Directory of Civil War Photographers, Volume One: Maryland, Delaware, Washington, D., Northern Virginia West Virginia (Historic Graphics) by Ross J. Kelbaugh, Hiram Berdan: Civil War Chief of Sharpshooters, Military Commander and Firearms Inventor (Northwood Heritage Press) by Roy Marcot, Cahaba Prison and the Sultana Disaster (The University of Alabama Press) by William O. Bryant, Abandoned by Lincoln (University of Illinois Press) by Wallace J. Schultz and Walter N. Trenerry and War & Conflict: Selected Images from the National Archives, 1765-1970 (National Archives) edited by Jonathan Heller.

First Blood: A Jersey Brigade at Williamsburg by Joseph Bilby (pp. 7-11)
The 2nd New Jersey Brigade was one of three full brigades raised and equipped by the Garden State during the Civil War. It originally included the 5th, 6th, 7th and 8th infantries. Over time, troops from other states were added. Together, the brigade fought in most of the horrific battles with the Army of the Potomac. An account of its actions at the Battle of Williamsburg during the Peninsula Campaign is included here, illustrated with portraits of Brig. Gen. Francis Patterson, Col. Samuel Starr of the 5th, Lt. Col. Ezra Carman of the 7th, 2nd Lt. John Fritschy Jr of the 7th, Capt. James Brown of the 7th and 1st Lt. Dekyn Lalor of the 5th.

The Burial of Trooper McCoy: A 7th Cavalry Funeral by George Rummel (pp. 12-15)
Private Charles McCoy, a young trooper of promise assigned to Troop E of the 7th U.S. Cavalry, died in a freak wagon accident in 1903. The story of his military service is illustrated with six portraits including one of McCoy and his horse, images from his funeral and his gravesite at Chattanooga National Cemetery.

“A Brave Officer:” The Letters of Richard Saffell, 26th Tennessee. C.S.A. by Mike Miner (pp. 16-18)
A portrait of Col. Richard Meredith Saffell (1835-1865) is the centerpiece of this story of his life and death at the Battle of Bentonville through his wartime letters. Other illustrations include the uniform coat at vest worn by Saffell at Bentonville, his sword and a hard-plate photograph of his brother, Sam, who served in the 63rd Tennessee Infantry and was killed at Petersburg.

Uncommon Soldiers: An album of faces from the Civil War (pp. 19-23)
Profiles and portarits of seven Confederate and Union soldiers include Pvt. Major Hezekiah Allen of the 13th Alabama Infantry, 2nd Lt. Robert Emmett Hitchcock of the U.S. Marine Corps, Sgt. Romaine Hart of the 108th New York Infantry and 22nd New York Cavalry, 1st Lt. Charlie E. Crow of Purcell’s Virginia Battery, Sgt. William Maxey of the 1st Illinois Cavalry and the 80th Illinois Infantry, and Pvt. George Lane of the 1st New Hampshire Infantry, 2nd U.S. Sharpshooters, 1st New Hampshire Light Battery and the 1st New Hampshire Heavy Artillery.

The Shippy Brothers: A New York Family at War by Mark Dunkelman (pp. 24-27)
The five Shippy boys of New York served with distinction during the Civil War. Two survived without injury: Eugene of the 85th Infantry, Aaron of the 13th Heavy Artillery. One brother, Leroy of the 64th Infantry, suffered wounds in the battles of Fair Oaks and Gettysburg. Another brother, Stanley of the 14th Heavy Artillery, was captured at Fort Stedman during the Petersburg Campaign. One brother paid the highest price: Augustus of the 154th New York Infantry was killed in action at Dug Gap, Ga. This is their story.

Uniforms & History by Michael J. McAfee (p. 29)
In “The Anderson Troop,” McAfee details the organization and distinctive uniform of this Pennsylvania cavalry unit. The story is illustrated with a carte de visite of Pvt. Louis Fagan and an unknown member of the Troop.

Stragglers (pp. 30-31)
Five images are included in this installment, including a group of three messmates, an antebellum daguerreotype, Union troops massed in a street, a sergeant wielding a broom and an outdoor scene with a bit of toilet humor.

Sutlers’ Row (p. 32)

Back cover
A circa 1855 daguerreotype from the Herb Peck Jr. Collection pictures a second lieutenant of the 10th U.S. Infantry.