The complete issue

Vol. XXXVI, No. 1
(80 pages)

Print edition: Visit our store to check availability
Digital edition: Visit JSTOR.org to purchase
Subscribe to MI ($24.95)
Explore the MI Archives: Browse | Advanced search | Tutorial

Inside

Cover image
A quarter-plate ambrotype from the Doug York Collection pictures Virginia Ware with the Confederate First National flag.
Download (free)

Table of Contents (p. 1)
Download (free)

Editor’s Desk (p. 2)
In “Our Initiative to Educate Future Historians,” the editor announces the results of the Young Historians campaign and introduces the idea of sponsoring subscriptions.
Download (free)

Mail Call (pp. 3-4)
Feedback includes praise for the last issue, a cover story party for the Rich Jahn family, the emergence of a Civil War image of Walter H. Thomas, Enfields and Springfields, and more.
Download (free)

Passing in Review (p. 6)
Ron Field’s Silent Witness: The Civil War Through Photography and Its Photographers (Osprey Publishing) captures the spirit of the men behind the camera.
Download (free)

Antebellum Warriors (p. 8)
A sixth-plate ambrotype by Mathew B. Brady from the National Portrait Gallery Collection pictures George Henry Thomas about 1855, when he was an army major. Thomas would go on to serve as a Union major general during the Civil War and earn the nom de guerre “Rock of Chickamauga.” This image is part of a current National Portrait Gallery exhibit.

Most Hallowed Ground (p. 10)
Rose Adéle Cutts, the crème de la crème of Washington society, married Sen. Stephen A. Douglas. After his untimely death in 1861, she went into an extended period of mourning. Her home, the Douglas Mansion, became a hospital for Union soldiers. She lived in an adjacent villa and visited soldiers regularly. After the war, she married an army officer, Robert Williams.

Photo Sleuth by Kurt Luther (pp. 12-14)
Kurt observes, “Facial recognition is a key consideration in photo sleuthing. Rarely definitive, face recognition is fundamentally hard, for both humans and computers.”

Confederate Mona Lisa by Doug York with Ronald S. Coddington (pp. 16-18)
Surviving documents and photographs tell the story of a forgotten Alabama belle, Virginia Frances Ware, and her connections to a prominent Vicksburg, Miss., family, famed Alabama raider Raphael Semmes, and a young naval officer connected to the highest levels of the Confederate government.

Red Blankets & Blue Blouses: Faces of Rhode Island’s First Responders, April-June 1861 (pp. 19-30)
A survey of 18 portraits of Rhode Islanders who were prompted to enlist after the bombardment of Fort Sumter. They became the 1^st Rhode Island Infantry. Identified individuals include Ambrose E. Burnside, Augustus Woodbury, William L. Bowers, Moses Brown Jenkins, William Chace, Addison Hyde White, Joseph Pope Balch, Lewis Richmond, Joseph Story Pitman, William S. Smith, Jesse Comstock, James Henry Chappell, George Frank Low and Peter Simpson Jr.

Crystal Clear: Representative portraits from the Dan Binder Collection (pp. 31-41)
A longtime collector of non-dug, pre-1865 Civil War buttons, Dan Binder changed his focus to photography in 2010. Since then, he’s amassed more than 400 images, of which 27 examples are included here.

Uniforms & History by Michael J. McAfee (p. 44)
In “Military Schoolboys Fostered ‘Virtuous Citizens,’” McAfee discusses the importance of military schools in American society, and notes that President Donald J. Trump attended one. Two cartes de visite of cadets illustrate the text.

Carried into Battle: Images that came under fire—and survived (pp. 45-53)
A rare grouping of images found on battlefields includes an ambrotype taken from the body of a dead Confederate at Port Hudson, La., a carte de visite of a Union soldier found by “W.A.S.” at The Wilderness, a tintype of a federal corporal discovered at Shiloh, an ambrotype of a civilian picked up by a noncommissioned officer at Shiloh, a carte de visite of a sister carried by her brother at Irish Bend, La., and a group of five cartes de visite pierced by a bullet at Petersburg.

At Franklin, “Killed Dead:” Life and loss of a Georgia lieutenant by Willis Treadwell with Ronald S. Coddington (pp. 54-57)
Among the men who perished in the crushing Confederate defeat at the Battle of Franklin was a Georgia husband and father of four, George Washington Whitecotton. He is buried in the McGavock Cemetery. His portrait and a photo of the watch returned to his family illustrates the text.

The Virtuous Knight of the Orphan Brigade: Kentucky’s Lafayette Hewitt by Brian Boeve with Rusty Hicks (pp. 58-61)
Known as Fayette to his family and comrades, Hewitt started the Civil War as an employee in the fledgling Confederate postal service. He left to join the army and served at first in a staff position. He eventually realized his goal of serving as a combat officer—and he became a distinguished fighter. His legacy includes important primary source records that detail the history of his beloved Orphan Brigade. His portrait illustrates the text.

Here Among the Chiefs: The Cherokee Nation’s Lewis Downing, in gray and blue by Scott Vezeau with Ronald S. Coddington (pp. 62-65)
The Civil War divided the Cherokee Nation as much as it did the North and South. One of the men who ultimately sided with the Union, Lewis Downing, started his military career as a Confederate chaplain. After President Abraham Lincoln issued the Emancipation Proclamation, he had a change of heart—and uniform. A rare portrait of the man who would someday lead his people is inscribed on the back in Cherokee.

A Few Minutes and a Street Block: A Massachusetts soldier recalls his wounding at Fredericksburg by Scott Valentine (pp. 67-69)
Josiah Fitch Murphey, a sergeant in the 20^th Massachusetts Infantry, was struck in the face by a bullet during the early stages of the Battle of Fredericksburg. “Drenched in blood and feeling faint, he stumbled down Hawke Street and back across the river to a field hospital quartered at the Lacy House,” notes the author. Murphey survived his wound, but the pain stayed with him for a lifetime. His portrait illustrates the text.

Rare profile portrait of the Confederacy’s First General by John O’Brien (pp. 70-71)
A rare image of Gen. Samuel Cooper, and three other portraits of the first soldier to be appointed general in the regular army of the Confederacy, includes a biographical sketch. The second and third generals were Robert E. Lee and Joseph E. Johnston.

The Boat that Brought Stonewall Home: A unique panoramic view evokes the life and death of Gen. Thomas J. Jackson by Warren “H” Shindle (pp. 72-73)
Two images, one well known and another never before published, form a panorama of a section of the James River & Kanawha Canal. Floating on the waterway is the packet boat Marshall, which carried Stonewall Jackson’s remains to its final resting place. Among the landmarks in the background is the ruins of Virginia Military Institute, where Jackson served as an instructor.

The Origin of Military Images by Harry Roach (p. 74)
The founding editor and publisher of MI recounts how he started the magazine, and how he came to be inspired by photo historian William Frassanito. The essay is part of Pioneers, an occasional series that documents Civil War photograph collectors and how they got started.

Stragglers: Distinctive Images from MI contributors (p. 75)
Four images are included, and each portrait features a man with the Stars and Stripes.

The Honored Few: Medal of Honor Recipients (p. 76)
In “’Red Burial Blent’ at Nashville, the actions of Col. Philip Sidney Post are detailed. “He was calm, imperturbable, absolutely unaffected by the surroundings, simply going right at the great object that was in front of him.” That object was the Confederate army. Post received the Medal of Honor for his actions.

Sutler’s Row (p. 79)

The Last Shot (p. 80)
A quarter-plate tintype from the Rick Brown Collection is a portrait of a Southern trooper who may hail from Mississippi.

The complete issue

Vol. XXI, No. 5
(48 pages)

Print edition: Visit our store to check availability
Digital edition: Visit JSTOR.org to purchase
Subscribe to MI
Explore the MI Archives: Browse | Advanced search | Tutorial

Inside

Cover image
A large format albumen print courtesy Jack Reeves pictures West Point cadets confronting an engineering challenge circa 1890-1910.

Editor’s Desk (p. 3)
The editor introduces the long-awaited New York issue and thanks Guest Editor Bob Mulligan for his outstanding efforts, and mentions an upcoming exhibit on Maine in the Civil War, a new website for Indiana soldiers and symposia about women in the Civil War.

Mail Call (pp. 4-5)
Letters about the identity of the soldier on the cover of the last issue dominate. The general consensus is that the man is not John Singleton Mosby.

New York and the War of the Rebellion by Robert Mulligan (pp. 6-8)
The author, in his role as Guest Editor, provides background and context around the Empire State in this introduction. The text is illustrated with portraits of Pvt. Henry N. Francis of the 21^st New York Infantry, and a group of post-war veterans at a reunion.

The Union Continentals by Ben Maryniak (pp. 9-11)
A home guard composed of retired military officers, the Union Continentals were led by former President Millard Fillmore. His likeness, in uniform, as well as images of Chaplain John C. Lord and three other men, accompany the historical sketch.

Uniforms & History by Michael J. McAfee (pp. 12-13)
In “The New York State Jacket, 1861,” McAfee examines the uniform and its distinctive jacket with cloth shoulder straps. A dozen soldier portraits show variations in the design.

How I Spent My Summer Vacation, or “Murdered in Texas Since the War” by Scott Valentine (pp. 16-18)
The author takes readers on the photo sleuthing journey prompted by the acquisition of a carte de visite of Lt. George Washington Smith of the 123^rd New York Infantry—an image that he at first was not especially interested in. The image illustrates the text.

“Mary…You Will Find an Ambrotype” The Letters of Justus Grant Matteson and Mary Hatch edited by Paul S. Johnson (pp. 18-19)
A tintype of Matteson illustrates the text of this story, which provides details of his life and military service in the 10^th New York Cavalry.

A German Regiment in the Civil War: The 45^th New York State Volunteer Infantry “5^th German Rifles” by William J. Halpin (pp. 20-23)
This regimental history is illustrated with 11 portraits, including Lt. Col. Augustus Dobke, Lt. Augustus Basson, Lt. Henry Wexel, Capt. William Dross, Lt. Herman Roeke, Capt. Herman Weller, Sgt. Eml Burchard, Pvt. Peter Lander, Capt. William Syring, Lt. Felix Metzinger and Pvt. Anton Jesbera.

The Ninth’s New Colonel: A humorous tale of Old New York by Robert E. Mulligan Jr. (pp. 24-26)
Reprinted from the March/April 1983 issue. The tale of how the 9th Regiment of Infantry, National Guard, State of New York avoided disbandment in 1870 involves individuals of power and position, and with connections to Tammany Hall. “Jubilee Jim” Fisk was well-known to New Yorkers and despite his total lack of military ability, he was elected as the colonel of the unit. He was able to use his deep pockets to ensure the continuation of the 9th. The article recounts the events of July 12, 1871: the anniversary of the Battle of the Boyne, which set the Irish and their rival Orangemen against one another. As the Orangemen marched, a number of regiments were ordered to provide them protection, including the 9th. Colonel Jim ended up injured and disguised to escape as gunfire between the marchers, regiments, and the crowd rang out, while four guardsmen, 41 citizens, and no Orangemen lay dead.

Captain White’s Saber by Robert E. Mulligan Jr. (pp. 26-28)
The author begins the story of Patrick White, an officer in the Chicago Mercantile Battery, by describing his sword, a beat-up relic located at the bottom of a shelf in the New York State Museum’s storage area. “On shelves above this sorry sword glitter half a dozen fancy presentation blades. But of all the swords in the collection, this one is the best.” He then explains why. The sword and two wartime portraits of White illustrate the text.

“God Be Merciful” Letters of Arthur O’Keeffe 34^th New York Infantry, 1861-1862 by Elizabeth O’Keeffe Fiore (pp. 29-30)
Quotes from letters tell the story of the life of this soldier, whose service was cut short when he was mortally wounded at the Battle of Antietam. His body was never recovered.

Her Name Was “Della” Graves by D.L. Odom (pp. 31-32)
Sarah Adele “Della” Graves, suffered many losses in her life—several children and a brother during the Civil War. The war also caused another brother to be disabled and a brother-in-law to be captured by Confederates. The author tells their stories, which are illustrated with portraits of Della, her husband, Sgt. Edwin Graves of the 110^th New York Infantry, Edwin’s comrade, Henry Monroe Hammond, and an unknown corporal who may be Della’s brother Edmund Wilson of the 24^th New York Infantry.

The Rise and Fall of “Boss” Hogg 2^nd New York Heavy Artillery by Michael Thaler (pp. 33-35)
George Hogg, notes the author in the introduction to this story, “managed to pack a prodigious amount of mischief into his four-year military career.” What follows is an accounting of various infractions that marred his record. Still, his troubles did not prevent him from becoming the regiment’s lieutenant colonel. His tintype illustrates the text.

New York’s Bureau of Military Statistics by Daniel Lorello (pp. 36-39)
The author, a senior archivist at the New York State Archives, provides an accounting of the bureau and the work it performed during the war. Key to the organization is Lockwood Lyon Doty, the bureau’s first chief. His portrait, and an outdoor image believes to be the Troy Citizens Corps, illustrate the text.

The Separate Companies of the National Guard, State of New York, 1863-1903 by Anthony Gero (pp. 40-44)
This short history includes an account of its militia roots from 1803 to 1863, at which time the National Guard was established. The uniforms of the Guard changed as the state and the rest of the nation advanced through the latter half of the 19^th century. Some of the changes are documented in photographs from the author’s collection, which include 10 examples published here. An additional photo, a group of veterans at the dedication of the monument to “Cowan’s Battery,” 1^st Independent Battery, at Gettysburg’s Bloody Angle on July 3, 1887, rounds out the narrative.

Sutler’s Row (pp. 45-48)

Back cover
A quarter-plate tintype from the Michael Donahue Collection pictures Sgt. Edwin T. Marsh of the 140^th New York Infantry at Warrenton, Va., in December 1863.

The complete issue

Vol. XXI, No. 4
(40 pages)

Print edition: Visit our store to check availability
Digital edition: Visit JSTOR.org to purchase
Subscribe to MI
Explore the MI Archives: Browse | Advanced search | Tutorial

Inside

Cover image
A half-plate ruby ambrotype from the Al Holzinger Collection pictures an unknown soldier that some believe may be a young John Singleton Mosby.

Editor’s Desk (p. 3)
The editor explains that the New York issue has been pushed back, mentions that Wisconsin and Tennessee issues are in planning, and that The Western Reserve Historical Society will host a special Civil War exhibit.

Mail Call (pp. 4-5)
Letters include a call to action to maintain the Gettysburg monuments, praise for Southern Soldiers, questions about the identity of two portraits, and more.

Uniforms & History by Michael J. McAfee (pp. 6-7)
In “3^rd Regiment New Jersey Volunteer Cavalry, 1864-65 (1^st U.S. Hussar Regiment) ‘A Horse to Ride and a Sword to Wield,’” McAfee examines the distinctive uniform and history of the “Butterfly Regiment.” The text is illustrated with portraits of Conrad Warnick of Company M and an unknown first sergeant. Also included is an engraving from Leslie’s Illustrated.

Will the Real John Singleton Mosby Please Stand Up? Wild-eyed speculation by Harry Roach (pp. 8-9)
The editor and publisher makes the case that the soldier pictured on the cover may in fact be a young Mosby. A comparison of the image to four known portraits of Mosby illustrates the text.

The Musket Bullets Rattled Like Hail Against the Bulwarks: Excerpts from the diary of Pvt. George Varnick, U.S.M.C. Marine Guard, U.S.S. Richmond, Mississippi River, April 24-May 1, 1862 edited by David M. Sullivan (pp. 10-17)
The dramatic capture and occupation of New Orleans is the focal point of diary entries by Varnick, who joined the Marines at Philadelphia on June 5, 1860.

Josiah Archibald Lee, Private, Company I, The Pettus Rifles, 17^th Mississippi Infantry, C.S.A. by Bruce Reith (pp. 18-19)
Lee was one of four brothers who served in the regiment. Though wounded at Gettysburg and Richmond, he survived the war and lived until 1907. His wartime portrait illustrates the text. Also included are vignette profiles of his brothers, John, William and Giles.

My Old Blue Cavalry Trowsers: a poem by Winsor Bruce Smith, late sergeant, 1^st Maine Cavalry by James J. Hennessey (pp. 20-21)
Well-worn paints of faded blue dominate the first stanza of a poem by Smith, who survived capture at Weldon Railroad, Va., on Sept. 29, 1864, and imprisonment in Richmond. Known as “Win” to intimates, he died on June 25, 1885—exactly 20 years to the day if his discharge from the army. A portrait of Smith illustrates the text.

“I am Tired of Curing Wounds…I Now Prefer to Make Them” The life & death of Lucius Manlius Sargent, 1^st Massachusetts Cavalry by Paul R. Johnson, M.D., F.A.C.S., and Samuel B. Burgess, M.D., F.C.A.P. (pp. 22-28)
Artist, surgeon and soldier, Sargent practices all three with success—until a rebel shell struck him in the chest during a fight at Bellfield, Va., on Dec. 9, 1864. His wartime portrait, examples of his illustrations and surgical kit illustrate the text.

Bvt. Brig. Gen. F.A. Starring: Opportunist or Ideal Soldier? by Richard K. Tibbals (pp. 29-37)
The author explores the web of connections between Starring and other senior officers in an effort to answer the question in the headline. A series of portraits of Starring along with other soldiers in his orbit, including Brig. Gen. Thomas E.G. Ransom, Gen. Mason Brayman, Capt. William A. Bailhache, Lt. George Colby, Pvt. Anson Hemingway, Maj. Joseph Stockton and Lt. Col. Joseph Wright.

Passing in Review (p. 38)
Three publications are mentioned, Faded Coat of Blue (Avon Books) by Owen Parry, Gettysburg’s Unknown Soldier: The Life, Death, and Celebrity of Amos Humiston (Praeger) by Mark H. Dunkelman and Custer and His Commands from West Point to Little Big Horn (Stackpole Books) by Kurt Hamilton Cox.

Light & Shadow: Technical Aspects of Photography & Collecting (p. 39)
Caring for tintypes and ambrotypes are discussed in this installment.

Captain Bob’s Caveat Emptorium (p. 43)
A photo of Lord Cardigan himself is offered by the cheeky Captain. As usual, he’s trying to pull one over on us.

Sutler’s Row (p. 40)

Back cover
A quarter-plate ambrotype from the Richard Tibbals Collection pictures a militiaman in a uniform based on George Washington’s Continentals.

The complete issue

Vol. XXI, No. 3
(48 pages)

Print edition: Visit our store to check availability
Digital edition: Visit JSTOR.org to purchase
Subscribe to MI
Explore the MI Archives: Browse | Advanced search | Tutorial

Inside

Cover image
A quarter-plate daguerreotype from Brian Massey pictures his ancestor, Brig. Gen. Paul Quattlebaum, commanding the 3^rd Brigade, South Carolina uniformed militia, circa 1846-1853.

Editor’s Desk (p. 5)
The editor shares details about the upcoming New York issue, notes another upcoming issue dedicated to women and announces the opening of The National Museum of the Civil War Soldier at the Pamplin Historical Park in Petersburg, Va.

Mail Call (pp. 6-7)
Letters include comments about Cherbourg photographer Rondin, praise for Jerry Harlowe’s Swan Song and the Indian Wars issue, correction on the misidentification of a vivandière and more

A “Salty” Salt Print…Perhaps taken by an “old salt?” by Earl Sheck (pp. 8-11)
The author explains how photo analysis led him to probably identifications of many of the 13 navy and two Marine officers pictured on the deck of the Colorado. The identified men supported by other photographs include Masters T. Steece and Joseph Tuck, Marine officers McLane Tilton and E.M. Reynolds, Executive Officer Lt. A.V. Reed, Asst. Surg. A. Hudson, Paymaster H. Etting and Midshipman F.J. Higginson. Other men in the image are identified by their rank but are not supported by other photographs.

Great Guns! Top images at the 1999 Gettysburg Show (pp. 12-23)
A gallery of 37 plate and paper images reveal a diversity of subjects, including a monster cannon, navy vessels and personnel, infantrymen, cavalry soldiers, militiamen, soldiers with brass instruments, Zouaves, a lone Chasseur, post-Civil War leathernecks, double-images and more.

The 44^th Massachusetts at Camp Meigs: A panorama of the training camp at Readville by Paul R. Johnson, M.D. (pp. 24-27)
The author places context around a unique panoramic images and highlights two sections of the image that are especially relevant. A second image, a group of men from the regiment posed with a flag upon which is printed GUM SWAMP!!!, relates to an expedition in North Carolina in 1863.

Southern Soldiers (pp. 28-38)
A survey of 30 Confederate soldier portraits are mostly unidentified. Some names, however, are known. They include John Warwick Daniel of the staff of Gen. Jubal Early, Charles Carter Minor of Virginia’s Albemarle Artillery, Glenmore M. Turner of the 11^th Virginia Infantry, E.S. Drew of Louisiana’s Washington Artillery, John G. Lee of the 18^th Virginia Infantry, W.T. Newman of the 64^th Georgia Infantry, John A. Rawle of Gen. Nathan Bedford Forrest’s artillery, Conquest Cross Harris of the 12^th Tennessee Infantry and Bell’s Cavalry Brigade, John Gross of the 42^nd Virginia Infantry and James Risque Hutter of the 11^th Virginia Infantry.

Passing in Review (p. 39)
One publication is mentioned, U.S.S. New Ironsides in the Civil War (Naval Institute Press) by William H. Roberts.

Friend or Foe? (pp. 40-41)
Readers are challenged to identify five soldier portraits as American or not.

Uniforms & History by Michael J. McAfee (pp. 42-43)
In “8^th Regiment Heavy Artillery, New York Volunteers, 1862-65 ‘The Sons of Friends and Neighbors,’” McAfee examines the uniform and history of the regiment. The text is illustrated with portraits of Pvt. Elisha Wentworth and Corp. (later Quartermaster Sgt.) Stephen Vail.

Captain Bob’s Caveat Emptorium (p. 43)
A photo of Lord Cardigan himself is offered by the cheeky Captain. As usual, he’s trying to pull one over on us.

Sutler’s Row (pp. 44-46)

Stragglers (pp. 47-48)
Solo images from the collections of our readers features eight examples, including “Morning scene at Camp Lander. Lieuts. Davis & Holbrook.” One of the two officers is pulling on his boot.

Back cover
A sixth-plate ambrotype from the Roy Mantle Collection pictures Capt. Henry C. Risdon of the 23^rd New Jersey Infantry.