Finding Aid: Jan./Feb. 1986

The complete issue

Vol. VII, No. 4
(32 pages)


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Inside

Cover image
He may look like a Prussian soldier fresh from a victory in the Franco-Prussian War, but the soldier on the cover with the Pickelhaube helmet is Joseph Vance, a member of Company A, Light Artillery, Rhode Island State Militia, taken 1885-1886.

Editor’s Desk (p. 1)
The editor presents two new features with this issue. “The Darkroom” answers reader questions about the technology of imaging, while “Exhibits” lists museum and traveling exhibitions of interest to the readership. He also describes the types of articles that will be forthcoming, and welcomes suggestions as well as images. The editor also reprinted a clearer version of the wounded soldier in his hospital gown from the previous issue’s “Stragglers” feature.

Mail Call (pp. 2-3)
Letters to the editor included a request for help in identifying a shoulder strap uniform device, additional information on images from past issues, and additional responses to the editorial regarding U.S. policy in Nicaragua.

Darkroom (pp. 4-5)
George Hart’s first feature responds to the question regarding the sizes of different types of images. While a standard table is presented in the response, the great variation in sizes such as quarter-plate or ninth-plate images is due to the fact that many photographers cut their own plates. Tintypes are particularly known for this.

Six Sons for the Confederacy: The letters of Robert H. Jones, 22nd Georgia Infantry edited by Keith Bohannon (pp. 6-8)
The eldest of the six Jones brothers from Floyd County, Georgia, Robert H. Jones had organized the “Fireside Defenders” in August 1861. Once organized into the 22nd Georgia Volunteers, the 33 year old Jones was made colonel, two brothers made captain, one chaplain, and two remained privates. All six appear in an image taken in 1861, and although the six fought together at the start of the war, none were still with the 22nd Georgia at war’s end. The letters from Colonel Jones to his wife Lucinthia provide a glimpse into camp life during several different points of the war, from the humorous response of his troops (and body servant) to hearing cannon fire that was not warfare, but a salute to George Washington on his birthday to a more serious account of his unit during the Seven Days. Writing from Leesburg, Virginia, he tells her that “all the Brothers are well” just days prior to Antietam, where his brother Captain Wesley Jones was wounded; taken prisoner, he died from his wounds in October 1862.

“It is with a heavy harte…”: A letter to Private Clark’s sister edited by Richard K. Tibbals (p. 9)
Both men were 24 years old, and both enlisted in Company H, 22nd Indiana Infantry, Post’s Brigade from their homes in Lexington, Indiana. Privates John Clark and John Snodgrass had been friends at home, and remained close in their military lives as well. However, at Stone’s River on December 31, 1862, the fighting between the Union forces and their Confederate attackers split the two. In a letter sent to Private Clark’s sister Margaret, Private John Snodgrass wrote about the fighting that day, how he stayed with his friend as long as he could, and that he had been properly buried in a walnut coffin.

Farewell to Fancy Epaulettes: Philadelphia militia uniforms, 1866-1917 by Philip Katcher (pp. 10-13)
Eight different images accompany this article that describes the many changes seen by the militia of Philadelphia. Focusing on the last three to wear independent volunteer uniforms, the author briefly discusses the histories of the First Troop, Philadelphia Cavalry, the State Fencibles of Philadelphia, and the First Regiment Infantry of Philadelphia and their glorious dress uniforms.

Vignette: A Late Paycheck for Gilbert Montgomery, 4th U.S. Cavalry by William Gladstone (pp. 14-15)
A bit of sleuthing partially answers the questions about the man in the image and the two documents that belonged to him that are the focus of this article. A cook, not a soldier, Gilbert Montgomery was subject to the same procedures as enlisted soldiers. But there was a problem when Gilbert Montgomery was discharged from his five year service in 1869: he was underpaid. He was sent a check to make up the difference, and that check was not cashed. The question remains of why he never took the check to recover the $21.17 he was owed for his service.

Victorian Warriors: A photo survey of uniforms of the National Guard, 1870-1890 by Anthony Gero (pp. 16-24)
Sixteen images accompany the short article that outlines the history of the National Guard in the post-Civil War era. The increased cost of these units combined with a decrease in recruitment during this era led to many states standardizing their National Guard uniforms along federal lines. By the time of the Spanish-American War in 1898, only a few places retained the marvelous Victorian uniforms shown in this article. Featured are bearskins, several M1881 helmets with Prussian-style Pickelhaube, shakos, kepis with plumes, tailed coats, and epaulettes.

Vignette: A Down East Heavy: Rodolphus Tufts, 1st Maine Heavy Artillery by Wendell W. Lang (p. 25)
Enlisting in Company D, 18th Maine Infantry, Rodolphus Tufts was sent with his unit to be part of the permanent defense of Washington in August 1862. In the following January, the unit was reorganized into the 1st Maine Heavy Artillery, and expected to remain in their defensive post. In May 1864, following the fighting in the Wilderness, General Grant ordered the “heavies” to reinforce his Army of the Potomac. On June 18, the 1st Maine Heavy Artillery underwent the heaviest loss of a single unit in a single battle: 242 killed, 372 wounded, and 1 missing out of 900 men total. Tufts and the other surviving members of the unit eventually became involved in the more quiet game of siege warfare in the trenches around Petersburg. He was killed in a small skirmish on October 2, 1864 on Squirrel Level Road and buried as an Unknown in Poplar Grove National Cemetery.

Vignette: A Tarheel for the Union: Hugh Hamilton, 2nd North Carolina Mounted Infantry by John Sickles (p. 27)
The confident soldier in the image walked from him home in Buncombe County, North Carolina through the Cumberland Gap shortly after it was captured by De Courcy’s Union forces in September 1863. Hugh Hamilton was a Unionist and enlisted in Company B of the 2nd North Carolina Mounted Infantry. Other Tarheel Unionists and “Galvanized Yankees” (Confederates who had been captured, taken the oath of allegiance to the United States, and enlisted to fight) made up the unit. On February 22, 1864, at Wireman’s Mill, Virginia, Hugh Hamilton was captured, although he was initially listed as a deserter for reasons that remain unclear. He was sent to prison camp at Belle Isle in Richmond, where he became ill with bronchitis and hepatitis; he was exchanged and sent to a Union hospital in Annapolis. Eventually recovering most of his health, he was transferred to the Veteran Reserve Corps in Baltimore. He married there, and eventually returned to North Carolina after the war.

Passing in Review (pp. 28-29)
Six different publications are presented for review in this issues of Military Images. First is The Congressional Medal of Honor: the Names, the Deeds tells the story of the Medal and those who have been awarded it. September Blood: the Battle of Carnifex Ferry by Terry Lowry, who provides a regional history of the fight for Western Virginia at the start of the Civil War. Uniforms of the American Civil War by Philip Haythornthwaite was deemed to be a disappointment by the reviewer. While some errors were seen as small, the implication that the battleflag of the Army of Northern Virginia was used by all Confederate armies was a major flaw. Battle at Balls Bluff by Kim Bernard Holein was reviewed as a comprehensive work that describes the battle, the participants, its significance, relics and period items, and a case study of how preservationists, collectors, and others can work to preserve a historic site. Twenty Million Yankees by Donald Jackson and the editors of Time-Life Books is a volume in the Civil War series of books, and looks at the impact that the Civil War had on everyday life in the North and how those changes led to lasting impact on the Northern economy. Lastly, Great Civil War Heroes and Their Battles was edited by Walton Rawls, and provides an excellent look at the nostalgic publications found in cigarette cards and other sources published in the latter part of the 19th century.

Stragglers (pp. 30-31)
Two different sets of images are presented as “Stragglers” in this issue. The first is of Sergeant Herman L. Small of Company C, 6th Vermont Infantry. Two are portraits of the soldier, who enlisted as a private in October 1861 and left the service as a second lieutenant. His kepi is of particular interest and merited a close-up shot, as it has many non-regulation features attached to it. The other set of images consists of six cartes de visite that provide humorous views of Federal generals and one admiral such as “Little Mac” and “Uncle Sam’s Admirable Porter” in caricature form.

Back Image
A stirring portrait of a Union infantry soldier wearing his full pack (and white gloves). He strikes the pose he would take when preparing for a cavalry advance.

Finding Aid: Winter 2016

The complete issue

Vol. XXXIV, No. 1
(60 pages)

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Inside

Cover image
A sixth-plate ruby tintype of John William Rhea of the 6th Texas Cavalry, who brandishes his D-Guard Bowie knife. Rick Brown collection.
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Table of Contents (p. 1)
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Editor’s Desk (p. 2)
The editor reflects on historian John O’Brien’s study of an iconic photograph of Gen. Robert E’ Lee and Traveller. Specifically, how the power of observation can profoundly impact historical accuracy. He notes, “History is improved by keen observation and scholarship. Take a close look at all the images published in this and other issues of MI. You just might change history.”
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Mail Call (p. 3)
Feedback includes a compliment to contributors for sharing their images, a new identification of a musket held by a South Carolinian in the Palmetto Faces gallery, and a suggestion to produce an article that examines the possible use of bugles as props.
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Passing in Review (p. 4)
From its early days as a hotbed of colonial rebellion to its role during the Civil War as a prolific supplier of men and materials, the six states of New England have served as a powerhouse for American ideals and revolutionary action. When it came to conformity of Civil War uniforms however, New England was no different than any other region of the country, North or South. In Rally Round the Flag—Uniforms of the Union Volunteers of 1861: The New England States, author and MI Senior Editor Ron Field examines the dizzying array of early war uniforms. A modified excerpt provides background on the short-lived Edmands hat.
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Lexington, Not Petersburg by John O’Brien (pp. 6-7)
An iconic image of Gen. Robert E. Lee astride his trusted horse Traveller has long thought to have been taken in Petersburg, Va., during the final months of the Civil War—a reasonable conclusion considering the content of the photograph. Author John O’Brien takes a fresh look at the image, and suggests a new location and date for the image, and identifies the photographers who made it.

Antebellum Warriors (p. 8)
Massachusetts militiaman Hosea Ballot Ellis sits in his full-dress uniform, which includes a pompon-topped dress cap adorned with the brass letter “H” surrounded by a laurel wreath. The letter may signify Ellis’s membership in the Hancock Light Guards, a militia company formed in Quincy in 1855.

The Honored Few (p. 9)
Brave. Aggressive. Fearless. Uncompromising. A writer once used these words to describe Milton Holland – leadership qualities that came into play when he and his regiment, the 5th U.S. Colored Infantry, went into action in Virginia along the front lines of Richmond and Petersburg in the autumn of 1864.

Men of Nerve: The 5th Massachusetts Cavalry in the Civil War by James Paradis (pp. 10-15)
Capt. Andrew F. Chapman filled a photo album with cartes de visite of his comrades in the 5th Massachusetts Cavalry, one of only seven African-American cavalry regiments in the entire Union army during the Civil War. Selected images from the album, published here for the first time, and from the Rick Carlile collection, illustrate the esprit de corps of its cadre of white officers. A profile of the regiment explores the role of the 5th during the final year of the Civil War.

Thoughts on Private Booth by J. Matthew Gallman (p. 16)
“When we attempt to understand history, we often find that empirical truths unfold alongside significant symbolic moments,” writes noted historian Gallman in this reflection on a portrait of Pvt. Booth of the 5th Massachusetts Cavalry. He adds, “And, to make things even more complicated, it is not at all unusual that our collective memory of events (both real and symbolic) differs from how participants understood what they were living through.” The image of this black trooper speaks to emerging themes of democracy, equality and the individualism of the American soldier.

Hidden Treasures: Inside the only museum dedicated solely to Civil War soldier images (pp. 17-27)
The first time Ronn Palm visited the red brick row house on 229 Baltimore Street in Gettysburg, Pa., the prominent archway in the entrance captured his attention. “Holy hell,” he though to himself, as the graceful shape of the building reminded him of a page in a carte de visite album. “That’s how my mind works, you know,” Palm said as he discussed the origins of the museum that bears his name. The building became home to Ronn Palm’s Museum of Civil War Images, and it is the only museum in America dedicated solely to soldier photographs. Representative examples from Palm’s extensive collections are highlighted here.

Photo Sleuth by Kurt Luther (pp. 29-30)
In “How Fellow Collectors, Field Photos and Muttonchops Identified an Unknown Officer,” Luther explains how two less commonly used, but equally valuable resources, namely fellow collectors and field photography, helped him identify 1st Lt.and brevet captain William Ball of the 93rd New York Infantry.

Assassination in Jackson County: A defender of Freedmen is murdered in Reconstruction Florida by William Mason-Palmer (pp. 32-34)
By 1865, the bullets had stopped flying and many of the soldiers in blue and gray marched home. But the residual effects of the war would continue for many years. Although Union veteran John Quincy Dickinson had escaped death on the battlefield, he faced new threats in his assignment to the Freedman’s Bureau in Jackson County, Fla., where he found himself in the crosshairs of the politically charged violence of the reconstruction effort.

Soldier, Author, Bugler: The extraordinary life and lasting military legacy of Oliver Wilcox Norton by Theodore J. Karle (pp. 35-37)
Modest and self-effacing Pennsylvania schoolteacher Oliver Wilcox Norton left behind one of America’s lasting military legacies. His Civil War service included the perils of combat, the joy of perfecting a classic bugle call and leading men of color into battle. Norton’s post-war writings contributed greatly to our understanding of the struggle for Little Round Top at the Battle of Gettysburg in July 1863. Moreover, he helped compose “Taps,” the timeless bugle call honoring fallen soldiers. Lastly, the free thinking Norton served as an officer for two years in the 8th U.S. Colored Infantry.

Uniforms & History by Michael J. McAfee (pp. 38-39)
McAfee explores the Hungarian connection to the Union Army’s Model 1858 uniform hat. It was known by various nicknames, including the “Kossuth hat” in honor of Louis Kossuth (1802-1894) of Hungary, a freedom fighter celebrated across the antebellum U.S. but hardly remembered today.

“Conquer We Must, For Our Cause Is Just” by Kathleen Heyworth (pp. 40-41)
White attitudes towards African Americans varied greatly throughout the Union army during the Civil War, even within regiments. Such was the case in the 7th Illinois Infantry. The respected commander of the unit’s Company G, Capt. Henry Willard Allen, publicly supported the Emancipation Proclamation—an endorsement that cost him his life at the hand of one of his own men.

Riding the Rail, Revisited by Robert L. Kotchian (pp. 42-44)
25 years after a unique photo of a soldier holding an impossible large wood sword and seated astride an oversize “horse” made of timber made the rounds in books and film, Kotchian discovered its origins and connections to Old World punishments.

Stragglers (pp. 45-49)
This issue’s selection of distinctive and unique images from MI contributors is focused on Confederates. Included is Hiram Rathbone of the 62nd North Carolina Infantry, a soldier with a small Confederate national flag protruding from the upturned brim of his hat, a private who may hail from the Virginia Piedmont, John William Rhea of the 6th Texas Cavalry, Edmond R. Brown of the 11th Virginia Infantry, Zachariah Angel Blanton of the 18th Virginia Infantry, and a soldier wearing fur gauntlets and muffler.

The Backdrops of Benton Barracks by Mike Medhurst and Brian Boeve (pp. 50-52)
The bustling Union army’s training facility on the outskirts of St. Louis, Benton Barracks was capable of housing up to 30,000 soldiers at one time. Recruits from Missouri and elsewhere poured into the sprawling complex, where they learned the military arts. Many of these green troops were eager to send home photographs dressed in newly issued uniforms and equipment. And, they did not have to go far. Enterprising photographers used painted canvas backdrops to lure in the soldiers. This survey examines a half dozen examples used by these photographers to bring soldiers into their studios.

Dark Memories After Antietam by Scott Valentine (pp. 53-55)
“Soldier’s Heart” was one term used in the 19th century to describe a mental health condition known today as Post-Traumatic Stress Disorder, or PTSD. Other terms were used by physicians, families and comrades as well, to define the changes that occurred to a man as a result of his Civil War experience, including “Melancholia,” “Nostalgia” and “Homesickness.” One man afflicted was Bernard F. Blakeslee of the 16th Connecticut Infantry. The horrors of Antietam and other wartime experiences left numerous physical injuries that healed over time, and a psychological injury from which he never recovered.

At Stones River, A Sword Lost and Found by Ronald S. Coddington (pp. 56-58)
In the maelstrom of fighting at Stones River, Tenn., on the last day of 1862, dense clouds of gun smoke hung like a pall over the bloody battlefield. At times, the smoke would drift apart to reveal a brief glimpse of the desperate struggle between blue and gray. At one such moment, a federal soldier observed a Union captain drop his sword, grab cartridges and a musket from a fallen comrade, and blast away at the enemy. The event would be recorded in an after-action report as a remarkable act of bravery. The captain, 54-year-old Richard M. Waterman of the 31st Indiana Infantry, was old enough to be the father of many in his command. The story of his participation in the battle and what happened to him afterwards is revealed.

The Last Shot (p. 60)
Collector Dan Binder shares an ambrotype of a bearded Union infantryman with a furrowed brow uses the bayonet of his Prussian Model 1809 Potsdam musket as a convenient hat stand. Three letters attached to the flat part of his cap reveal a C flanked by a pair of Gs. The letters appear reversed here, a limitation of the photographic processes of the time.

Mistaken Identity?

Two court-martial cases that arose at the end of the Civil War—one in Albany, N.Y., and the other in Springfield, Ill.—reveal how some litigants relied on more than the spoken word to determine identity. The cases of Simon Burke and William Gemmill, both tried in September 1865, used photographs as a key method to identify suspected deserters.

To learn more, access “Mistaken Identity? Early Use of Photographic Evidence in Two Court-Martial Case for Desertion” by Elena Colón-Marrero in the Autumn 2015 issue of Military Images magazine.

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Finding Aid: Autumn 2015

The complete issue

Vol. XXXIII, No. 4
(60 pages)

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Inside

Cover image
A quarter-plate ruby ambrotype of a second lieutenant is posed with his staff officer sword and plumed dress cap from the Thomas Harris Collection.
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Table of Contents (p. 1)
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Editor’s Desk (p. 2)
Though it may seem innocuous, the question of whether or not the musket a soldier carries or the uniform he wears actually belonged to him is a hot topic among those who study soldier portraits. At the heart of this debate lay an essential question: What is a prop?
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Mail Call (p. 3)
Feedback includes the identification of an image from the Brian Boeve gallery (Winter 2015) as a New Hampshire soldier and a U.S. Colored Infantry officer, an image of a Union soldier from Iowa with an Abraham Lincoln mourning badge pinned to his uniform, kind words about the latest issues of the magazine, and an observation that chevrons with a star were worn by color sergeants in addition to ordnance sergeants.
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Passing in Review (p. 4)
If you thought that the Images of America books by Arcadia Publishing trace the history of the country through vernacular photography of small towns, think again. At least 45 Civil War-related volumes are in the series. If they are all as well produced as Remembering Michigan, make room in your library for the set.
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Palmetto Faces by Ron Field (pp. 6-17)
A survey of 22 ambrotypes, cartes de visite and tintypes of militia and volunteers from South Carolina. They were the first troops to see service in the defense of the short-lived Republic of South Carolina in 1861 and some of the last to defend the Confederate States of America in 1865. During that time, about 17,000 South Carolinians soldiers died—almost a third of its male white population of fighting age.

Love Found and Lost by Kevin D. Canberg (pp. 18-21)
154 years after war killed a budding romance between a New Hampshire boy on his way South to fight the war and a Pennsylvania farm girl began at a train station, a chance discovery brought their portraits together.

Photo Sleuth by Kurt Luther (pp. 22-25)
In “Revealed: The Identity of an Officer in an Iconic Group Portrait,” Luther describes his journey to determine the name of the white officer pictured in a lithograph of African American soldiers at Camp William Penn outside Philadelphia, Pa. The lithograph is based on a photograph that was sold by antiques dealer James Spina to an unknown collector in the 1970s. The image has not been seen since.

“Glory to Stand Upon Some Lofty Pinnacle” by Katharina Schlichtherle (pp. 26-29)
Jesse Sharpe Barnes was killed in action as he led his company in the 4th North Carolina Infantry against a redoubt during the Battle of Seven Pines. on May 31, 1862. The journey of the 23-year-old captain from political turmoil to death on a Virginia battlefield is the story of a young man changed by the instability of the times.

Armed to the Teeth? The Use of Prop Weapons in Civil War Studio Photography by Katelyn Brown (pp. 32-36)
“Few people would dispute the accepted fact that battlefield photographers of the Civil War sometimes included props—even human beings—in their photographs. Alexander Gardner famously moved corpses in his photographs at Gettysburg, and Thomas C. Roche posed his black assistant in several shots around Petersburg. As this was common practice in the field, who is to say that the studio portrait of the fierce-looking Civil Warrior armed to the teeth did not include props?” While obvious instances of props exist, a more challenging question to analyze involves the use of weapons as props.

Antebellum Warriors (p. 37)
A second lieutenant who graves the cover of this issue was an instructor at the King’s Mountain Military School in Yorkville, S.C. His identity is not known, though an examination of surviving photographs of officers who served at the school suggests that the officer went on to become one of the Confederacy’s best generals.

Mistaken Identity? Early Use of Photographic Evidence in Two Court-Martial Case for Desertion by Elena Colón-Marrero (pp. 38-40)
Two court-martial cases that arose at the end of the Civil War—one in Albany, N.Y., and the other in Springfield, Ill.—reveal how some litigants relied on more than the spoken word to determine identity. The cases of Simon Burke and William Gemmill, both tried in September 1865, used photographs as a key method to identify suspected deserters.

The Honored Few (p. 41)
Amidst the roar of battle at Trevilian Station, Va., on June 11, 1864, 1st Lt. Noble Delance Preston of the 10th New York Cavalry lay in a plowed field bleeding profusely. His courage ultimately resulted in his receipt of the Medal of Honor.

America’s Champion Aeronaut in the Civil War by Sarah Hopkins (pp. 42-44)
Bavarian-born John H. Steiner was a daredevil aeronaut who barnstormed across the United States before the war. In the Union army, he conducted the only successful balloon observations in the western theater.

From the “Star” to the “Shenandoah” by Ronald S. Coddington (pp. 46-47)
It may be fairly stated that John Grimball of Charleston, S.C., served from the beginning to the end of the war. On Jan. 9, 1861, he was part of the garrison of Fort Moultrie that drove the Union steamer Star of the West away from Charleston Harbor. He was also aboard the Shenandoah during her final cruise that ended on Nov. 6, 1865.

Uniforms & History by Michael J. McAfee (p. 48)
In “Cap Insignia: Topping It Off,” McAfee notes that U.S. Army Regulations of 1861 were very specific on what trim should be placed on the 1858 forage cap, and yet no one seemed to follow the rules.

Stragglers (pp. 49-51)
Unique images contributed by MI readers include Corp. Jacob Nicholas Haupt of the 7th Maryland Infantry, who was captured in The Wilderness and sent to Andersonville Prison; a light artilleryman with a seldom seen sword knot; and four cartes de visite of William K. Taylor of the 50th Pennsylvania Infantry.

Tintype Stares and Regal Airs by Isidora Stankovic (pp. 53-57)
In this essay, Stankovic examines the impact of Civil War portrait photography and soldier memorialization. “In this total war, the volunteer fighters secured a new individualized identity for the common soldier through portrait photographs.”

The Last Shot (p. 59)
A post mortem image of a gaunt Union soldier is a grim reminder of the devastation of disease in the ranks of both armies.

Finding Aid: Nov./Dec. 1980

nov-dec-1980The complete issue

Vol. 2, No. 3
(32 pages)


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Inside

Cover Image
An unidentified Zouave from the 9th New York Infantry from a quarter-plate tintype is on the cover of this issue of Military Images.

Editor’s Page (inside front cover)
The editor responds to questions regarding the content and the goals for the publication. Articles are submitted by the readership, and therefore the range of articles reflects that process. Readers are encouraged to submit articles that feature the “American fighting man” from the advent of photography in 1839 to the outbreak of World War II in 1939.

Mail Call (p. 2)
Readers weigh in on previous issues. A new subscriber expands the reach of the magazine to Australia, while another reader provides further insight into a previous article on the Homestead Steel Strike of 1892. Another reader from the Confederate Historical Association in Brussels, Belgium identifies a mysterious upper arm chevron from a past issue as being that of a Masonic symbol.

Thomas Franlin Dornblaser: Cavalryman in the Army of the Cumberland by Jeffrey S. Mosser (pp. 3-7)
Quoting the humorous writing of the 7th Pennsylvania Cavalry trooper, the article follows the Civil War journey of Thomas Dornblaser from his enlistment as a private in October 1861 to his discharge as a sergeant in August 1865. Dornblaser served in many of the pivotal campaigns in Tennessee, Georgia, and Alabama and had a wide variety of roles as well. The article includes images of two of his close friends, the various weapons that the unit was issued, and an image of Private Dornblaser with an experimental hinged cavalry hat, an example of which is now held in the collection of the Smithsonian Institution.,

The Mier P.O.W.’s in Mexico, 1844 by Kevin R. Young (pp. 8-9)
A daguerreotype showing a group of seven men is the centerpiece of the article, which describes the 1842 expedition which led to the capture of 305 abandoned soldiers of the Republic of Texas and how those “unofficial” soldiers continued their advance against the Mexican city of Mier, and how they fared in the hands of the Mexican government. Considered to be pirates rather than military prisoners, the men had to endure harsh conditions, escape, and then the recapture of 176 of them. These men had to participate in a lottery, as every tenth man was condemned to execution. Drawing from a pot of beans, the 159 who drew white beans were marched to Mexico City, while the 17 who drew black beans were shot on the spot. Those who survived until September 1844 were granted freedom at the deathbed behest of the Queen of Mexico. The daguerreotype image is probably the first photographic image of prisoners of war, showing the four identified Texican men wearing heavy chains around their ankles and being held by three heavily armed Mexican guards. As one of the men, Wily Jones, escaped successfully in March 1844, the image predates that event, making this an important artifact of both Texas and photographic history.

The U.S.M.C. Campaign Hat, 1898-1961 by John Stacey (pp. 10-13)
The iconic Marine campaign or “field hat” was first provided to Marines after landing in Cuba to fight in the Spanish-American War in 1898. Originally, the “fore-and-aft” crease was used on the hat, with the eagle-globe-and-anchor emblem worn on both the front and the left side of the hat. With the adoption of what was later known as the “Montana peak” in the 1912 regulations, the device began to be worn exclusively on the front of the hat. Various regulations required the hats to include battalion, company, and regimental numbers for identification purposes. The difference between hats worn by enlisted Marines and their officers were slight, with enlisted men wearing a ribbon band on their version while the officers wore a double cord with a sliding keeper and acorns on each end. The article includes ten different images that illustrate the evolution of the campaign hats worn by the Marine Corps.

Find the Fake (pp. 14-15)
The staff of Military Images provides the readers with six images and challenges them to find out which are actual historical images and which purport to be. (Answers provided on page 32.)

“Every damn… rebel is on the run!”: The 15th New Jersey at the Battle of the Opequon by Joseph G. Bilby (pp. 16-26)
Ten different images, ranging from individual portraits of officers from the 15th New Jersey Infantry to scenes of Winchester and the Valley Pike, illustrate this detailed article that describes the Battle of the Opequon in that began in mid-August 1864 and ended a month later. A number of sidebar items provide more detail on the “3rd New Jersey Cavalry” as well as information on “Draftees, Substitutes, and Volunteers” in the Civil War and how they impacted this battle in particular. Told from a number of different viewpoints on both sides of the conflict, as the 15th is pushed out of Winchester at the beginning of the battle and then forces their way back in against waning Confederate forces at the end.

A Doughboy at Barton’s Hill by Bob Stephens (p. 27)
This article relates the story of the author’s father, who was awarded the Croix de Guerre for single-handedly maintaining his aid station on the battlefield while his partner, Private Avery (also awarded the Croix de Guerre), went back to the lines to get the assistance of doctors. Private Stephens treated the wounded from October 8-10, 1918, going out to locate wounded on the battlefield. He would give directions to the dugout where the aid station was located to those who could walk, and would carry those who could not, all the time putting himself in harm’s way from poison gas, machine gun fire, and artillery shelling. A photograph featuring four members of the Medical Detachment, 144th Infantry, 36th Division to include Pvt. Stephens accompanies the article.

Stragglers (pp. 28-31)
The four pages of images submitted by readers for this month’s “Stragglers” feature follow some organization. The first page has two images featuring women; one is a group photograph of four women and four soldiers taken about 1880 at Fort Benjamin Harrison, Indiana and paired with a vivandiere photographed between 1864 to 1866 on Long Island. The next page has three different tintype images of New York Zouave soldiers. Following up on a previous issue which featured an officer from a Pennsylvania “rifle” regiment, the third page includes a colonel of the “2d German Rifle Regiment” and a third lieutenant from the Massachusetts “3d Battalion of Rifles.” Finally, there are two images of shipping from New York City on the final page. A ferry boat is shown ready for impressed service into the Navy in 1861, with crew at the ready and prepared with “collapsible shields against small arms fire.” A more unique images shows cannoneers firing over the East River in 1904, with the misconceived notion that this would force over 1000 bodies lost in the General Slocum sinking to emerge.

Back Image
Three of the five Scott brothers who served in the Civil War are pictured, shown with new Enfield rifles taken from the garrison at Vicksburg. While one served in a New York Regulars unit and another is not pictured, these Iowa brothers were all in Company H of the 21st Iowa Infantry.

 

Stories Yet to Be Told

Dan Schwab appreciates the connection that old photos make to long lost volunteers in blue and gray. “When I hold an image in my hand, I know that the soldier in the image unquestionably at one time held that very piece of tin or glass in his hand as well. He most likely took great care of it so that it could be sent home to his parents, siblings, wife or a sweetheart.”

Representative examples of his collection are featured in the Summer 2015 issue of Military Images.

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Finding Aid: Summer 2015

mi-cover33-3-summer-2015The complete issue

Vol. XXXIII, No. 3
(60 pages)

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Digital edition: Visit JSTOR.org to purchase
Subscribe to MI
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Inside

Cover image
In this half-plate ambrotype from the Dan Schwab collection, two firemen flank a Northern recruit in this early war image likely taken in Buffalo, N.Y.
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Table of Contents (p. 1)
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Editor’s Desk (p. 2)
Newly colorized photographs can be helpful to our understanding of Civil War images and can help attract interest in the period, but you will not find them in MI.
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Mail Call (p. 3)
Feedback from the previous issue includes a final update about the Pennsylvania soldier holding a stuffed grouse, an addendum to the Assassination Sympathizers photograph, and a correction to the gallery of nurse images.
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Passing in Review (p. 4)
“Prominent Historians Focus on Memorable Photographs in Lens of War” is a review of the new book by J. Matthew Gallman and Gary W. Gallagher.
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Stories Yet to Be Told (pp. 5-24)
A feature selection of artful images from the collection of Dan Schwab. “When I hold an image in my hand,” Schwab observes, “I know that the soldier in the image unquestionably at one time held that very piece of tin or glass in his hand as well. He most likely took great care of it so that it could be sent home to his parents, siblings, wife or a sweetheart.”

They Laid Down Their Lives for the Flag by Candice Zollars (pp. 25-28)
The story of the 6th U.S. Colored Infantry from training at Camp William Penn to the front lines at Petersburg, Va., and the end of the war in North Carolina.

Unadorned Backdrops (pp. 31-34)
Photographers in camp and other temporary locations usually left their elaborately painted backdrops at home in the studio and used whatever they had on hand to frame soldier portraits.

The Honored Few (p. 35)
During the Battle of Fair Oaks, Va., in 1862, Union Surg. Gabriel Grant risked his life to save the wounded—and received the Medal of Honor.

Cruel Twist of Fate by Scott Valentine (pp. 36-37)
Confederate surgeon Richard Walter Scott Martin of Virginia is imprisoned with the men he was sent to save after a failed raid on Memphis, Tenn., by cavalrymen commanded by Nathan Bedford Forrest.

“Headquarters for Pictures” by Steven Karnes and Ronald S. Coddington (pp. 39-42)
The life and times of Tennessee photographer Theodore M. Schleier is the first in an occasional series Civil War Image Makers. Schleier’s galleries in Memphis and Knoxville cranked out a high volume of soldier portraits during the war years.

The Tintype That Proved a Pension Claim by Andrew L. Slap (pp. 44-45)
In 1923, David Warrington posthumously supported his youngest daughter with a photo he had taken almost 60 years earlier.

Antebellum Warriors (p. 46)
“The Hero of Little Round Top,” Maj. Gen. Gouverneur Kemble Warren, pictured as a lieutenant of cadets at West Point at the end of the 1849 summer break.

Photo Sleuth by Kurt Luther (pp. 47-49)
Choosing the right tool is essential for any job, and Kurt Luther details what you need to carry in your digital research toolkit. “These digital tools, along with print materials, can help uncover more and greater photo mysteries than either alone, but only if we understand how and when to use them.”

Stragglers (pp. 50-56)
Confederates dominate this issue, and include a trio of infantry officers, a North Carolina officer killed at the 1864 Battle of Piedmont, Va., and a Tennessee father and son who served their home state and the Southern cause.

Uniforms & History by Michael J. McAfee (p. 57)
The uniforms of the The 1st Regiment, Philadelphia Reserve Brigade (Gray Reserves), a unique home guard brigade formed in 1861.

The Last Shot (p. 60)
Joseph C. White of the hard-fighting 12th Mississippi Infantry poses with an artillery short sword and a placard upon which is written a phrase that leaves no doubt about his loyalties—”Jeff Davis and the South!!!”

Finding Aid: Nov./Dec. 1979

nov-dec-1979The complete issue

Vol. 1, No. 3
(28 pages)


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Digital edition: Visit JSTOR.org to purchase
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Inside

Cover Image
The very youthful private on the cover is a sixth-plate daguerreotype of an infantry private in the Regular Army between 1841 and 1847.

Editor’s Page (inside front cover)
The editor addressed a number of questions, focusing on the submission of images from readers. Military Images would prefer to receive unusual images with as much identification as possible about the subject. The selected individual images will be included in a new feature of the magazine entitled “Stragglers.” The standard sizes of images (such as cartes de visite and hard plate images) were also identified and readers were requested to identify the original image size when submitting images for consideration.

Naval Uniforms of the Civil War, Part I: Officers of the U.S. Navy by Philip Katcher (pp. 2-7)
This article traces the history and the many changes in the uniforms and insignia worn by various grades of United States naval officers during the Civil War. The basic dress regulations of 1852 provided the basis for the naval uniforms of the era, including the cut of coats and numbers of buttons. As the wartime navy grew, so did the number and types of ranks, with the designation of rank on the uniform becoming more complex. This included gold braid on the cuffs, the position and number of buttons, and insignia on shoulder straps and hats. Regulations were changed in July 1862 and May 1863, and are also outlined in the article. An image of Commander John Warden, who was in charge of the Monitor, illustrates how the date of an image can be narrowed down by considering cuff insignia. Eleven different images, many of them taken by foreign photographers, illustrate the wide variety of navy uniforms of the era.

Jefferson Davis: Transvestite? by William Gladstone (pp. 8-9)
A short article that discusses the mythology behind Jefferson Davis’ capture at the end of the Civil War, it is accompanied by seven different carte de visite images that reinforced the popularly held propaganda of his capture wearing women’s clothing as a disguise.

Images of a Guerilla Chief: William Clarke Quantrill by George Hart (pp. 10-13)
The most leading Confederate guerilla leader in the trans-Mississippi district did not leave many images, although there have been books published which include some that are said to be him. This article discusses comparisons between different plate images that have been reputed to be Capt. William Quantrill, including one carte de visite that bears his autograph. The author makes a compelling argument that one image often cited as Quantrill’s is most likely an image of one of his men instead.

Profile: Cleveland Winslow by Brian Pohanka (pp. 14-17)
The striking image of Col. Cleveland Winslow of the 5th New York Volunteer Regiment (the Duryee Zouaves) graces the article, which outlines his career during the Civil War. A “martinet” who was heartily disliked by his men, Winslow was known for his rigid adherence to regulation as well as for his elaborate dress. Winslow fought in several battles and was mortally wounded outside of Richmond in June 1864.

Michael Bremer’s Ante-bellum Daguerreotypes (pp. 18-25)
The “wide variety” of 18 images taken before the Civil War is a fascinating look at images from regular army, state militia, and the navy, some possibly twenty years prior to the outbreak of the war in 1861. The regular army images include a sixth-plate of a general staff officer with epaulettes and sword from 1841-1844 to a ninth-plate of an artillery private with shako and earrings from 1854. One of the state militia privates is in an elaborate uniform of the 7th Regiment, New York (1854-1858) while one is a cavalry corporal in more common attire. The only named subject is from a sixth-plate daguerreotype of Capt. George Pugh of the Ohio Volunteer Infantry which was taken in Vera Cruz, Mexico in 1847; he also served as a U.S. Senator from Ohio (1855-1861).

Stragglers (pp. 26-27)
The three images make up this first MI group of “Stragglers.” The quarter-plate tintype of Sgt. Frederic Cline of the 40th Missouri Infantry includes hand-guilt brass and is paired on the page with a hand-tinted CDV of a black color-sergeant, possibly from the 108th U.S. Colored Troops. The second page is a group image taken from an 1884 photograph of the Artillery School of the U.S. Army at Fort Monroe, Virginia. The image is accompanied by a description of the history of the school and a roster of the 1884 graduates featured in the image.

Back Images
Two different images are featured on the back of the issue. The first is a quarter-plate tintype of H.L. Preston who served initially in the 18th Tennessee Infantry and then in the 4th and then 8th Tennessee Cavalry as part of the Army of the Tennessee until the end of the war. The second image is of First Sgt. John R. Waterhouse of the 114th Pennsylvania Volunteers (“Collis’ Zouaves”) in May or June 1863. Eventually promoted to captain, he also served until the end of the Civil War.

 

MI on Medium

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Ministering Angels

nurses

Veteran and registered nurse Chris Foard first became interested in the Civil War about 28 years ago, when he started his search for artifacts related to the men and women who cared for sick, wounded and dying soldiers. “A part of collecting I find most enjoyable is locating photographs of nurses then learning about the person behind the image,” Foard notes. “What still drives me to collect these rare images is putting a face with a name and learning more about their struggles, hardships, obstacles and how they coped.”

Representative examples of his collection are featured in the Spring 2015 issue of Military Images.

Go to the finding aid for this issue.
Purchase the digital edition.
Subscribe to the print and/or digital edition.