The complete issue

Vol. XXVII, No. 2
(40 pages)

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Cover image
A unique ninth-plate ambrotype from the David W. Vaughan collection is a Confederate kepi embellished with a small First National pattern flag, ribbon and dogwood flower. The image was likely to have been made in April 1861.

Table of Contents (p. 1)

Editor’s Desk (p. 2)
The editor provides a moving tribute to Brian Pohanka, “A man of boundless energy and courage who dedicated his all-to-shirt life to the preservation of Civil War battlefields and in the discipline of historical scholarship. Indeed, Brian was one of the finest military historians of our time, a man whose body of work included the authorship of many books, countless magazine article and extensive film work. But his influence on the historical community was even greater than the sum of his work, for he was a true inspiration and mentor to countless men and women, whose passion, like his, was history.” The editor also singles out a story in the current issue about an image of the 17^th Michigan Infantry. He points out that Military Images does not agree with the author Charles Joyce’s Aug. 3, 1865, dating of the image, but agreed to publish it on the basis of “its historical merits alone.”

Passing in Review (pp. 3-4)
Two books are mentioned: Generals In Bronze: Interviewing the Commanders of the Civil War (Belle Grove Publishing Company) by William B. Styple and Collecting the Confederacy: Artifacts and Antiques from the War Between the States (Savas Beatie) by Shannon Pritchard.

Last Muster for the “Stonewall Regiment;” The Seventeenth Michigan Infantry Returns To The Wolverine State, Summer 1865 by Charles T. Joyce (pp. 5-14)
The author introduces a newly discovered image of the Michiganders in camp as “singularly deceptive. To even the expert eye, it reveals a war-hardened fragment of a Union infantry regiment drawn up in a weedy field by company in ‘column of divisions.’” What follows is a detailed analysis of the regiment and its key personnel that support the theory that the image was produced on Aug. 3, 1865, on the shores of Grass Lake, Mich. Supporting images include a view of the officers of the 17^th in camp in 1865 from the State Archives of Michigan and portraits of Col. William H. Withington, Lt. Col. Frederick W. Swift, Maj. Thomas Mathews, Capt. Christian Rath, Capt. Joseph A. Sudborough, Capt. George Goodsell, Lt. and Adjutant Samuel Sizer, Lt. John S. Maltman, Lt. William Leanhouts, QM. Sgt. John M. Lawrence, Corp. Frank Wright and photographer Corydon Randall.

A Tribute to Brian Pohanka (pp. 15-21)
Brian Caldwell Pohanka (1955-2005) is remembered by numerous colleagues and friends associated with him over the course of his eventful life.

The Custer Cyclorama, Revisited by Charles G. Markantes (pp. 22-31)
Subtitled “The subject of a 1983 article in Military Images, the story of the long-lost Custer Cyclorama is explored again,” the author begins by noting that cyclorama paintings were 19^th century versions of virtual reality. He continues on to share the history of the Custer Cyclorama, including surviving images of the painting with original 1983 captions by the late Brian Pohanka.

Uniforms & History by Michael J. McAfee (pp. 32-33)
In “The Third Regiment, Michigan Volunteer Infantry, 1864-1865,” McAfee notes that personal accounts by veterans of the Civil War can be extremely valuable to the student of history, but Four Years Campaigning in the Army of the Potomac by color sergeant D.G. Crotty of the 3^rd is unfortunately not a useful reference. McAfee details why the volume raises more questions than it answers, and illustrates his text with a tintype of the color guard of the 3^rd and a carte de visite of Anna Etheridge, a nurse who found a home with the boys of the regiment.

The Confederate Soldier (p. 34)
A sixth-plate tintype from the David W. Vaughan collection pictures Pvt. Charles Holtzclaw, who served in Company H of the 6^th Virginia Cavalry.

Henley Fugate 63^rd Tennessee Infantry C.S.A. by John Sickles (p. 35)
Fugate suffered the loss of an arm at Chickamauga after he was struck by a Union cannon shot. A carte de visite of Fugate and his second wife, likely taken in the 1870s or 1880s, accompanies the narrative.

A Palmetto Artillerist and the Columbia Flying Artillery by John Mills Bigham (pp. 36-37)
John W. Self served as second lieutenant of Waties’ Battery B, Palmetto Battalion of Light Artillery, which was first known as the Columbia Artillery and Columbia Flying Artillery. Details of his military service and a brief history of this artillery organization are included.

Stragglers (p. 38)
Three images include a Union soldier with a Sharps rifle, a young Yank with a Bowie knife and a Colt pocket revolver and an unidentified Confederate soldier wearing color shoulder straps.

Sutler’s Row (p. 39)

The Last Shot (p. 40)
A carte de visite from the Chris Nelson collection pictures two Kentucky National Guardsmen portraying Confederates.

The complete issue

Vol. XXVII, No. 1
(48 pages)

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Inside

Cover image
A sixth-plate ferrotype from the Brad L. Pruden collection is a portrait of a member of the Tyler Guard, which became Company G of the 7^th Ohio Infantry. The soldier sits on a packing crate labeled “Camp Dennison.”

Table of Contents (p. 1)

Editor’s Desk and Mail Call (p. 2)
The editor introduces “a unique view of the great State of Ohio in the Civil War” through representative examples of the 300,000 volunteers who served from the Buckeye State.

Through The Camera’s Eye: Part One, Ohio Soldiers 1861 by Larry M. Strayer and Brad L. Pruden (pp. 5-13)
The authors document the varied uniforms worn by Ohioans in 1861. A total of 22 period images are showcased. Identified soldiers include William S. Wickham of the 8^th Infantry, Frank Bell of the 18^th Infantry, the field officers of the 1^st and 2^nd infantries in late April 1861, a squad of five soldiers who served in Company K of the 11^th Infantry, George L. Waterman of the 1^st Infantry, Oscar Ladley of the 16^th Infantry, Joseph Wright of the 20^th Infantry, Company E of the 5^th Infantry in June 1861, Joel C. Tracy of the 3^rd Ohio Infantry, Asbury Oldroyd of the 16^th Infantry, officers of the 14^th Infantry about the summer of 1862, Lancelot L. Scott of the 18^th Infantry, Homer Yates of the 1^st Light Artillery and a drummer believed to be William V. Haines of the 49^th Infantry.

Through The Camera’s Eye: Part Two, Ohio Soldiers 1862-1864 by Larry M. Strayer and Brad L. Pruden (pp. 14-22)
The authors document the evolution to standardized uniforms and equipment in the second wave of enlistments through the “veteran’s craze” of 1864. A total of 19 period images are showcased. Identified soldiers include Lycurgus Bishop of the 1^st Light Artillery, four men from Company C of the 9^th Infantry, members of the Pearl Street Rifles of the Cincinnati Home Guard about 1862, sergeants of Company A of the 34^th Infantry (Piatt’s Zouaves), Company I of the 42^nd Infantry at Plaquemine, La., in January 1864, field and staff officers of the 47^th Infantry, Col. Augustus Parry and Capt. George M. Ziegler of the 47^th Infantry, John K. Duke of the 53^rd Infantry, Aaron J. Glathart of the 57^th Infantry, James A. Bridges of the 70^th Infantry, John Warner of the 76^th Infantry, Charles D. Miller of the 76^th Infantry, Charles D. Rathbone with the flag of the 24^th Infantry, James Gallagher of the 78^th Infantry, the funeral bier of Capt. Martin Armstrong of the 81^st Infantry, Benjamin P. Brandt of the 120^th Infantry and William F Barr of the 121^st Infantry and 4^th Battalion of the Pioneer Brigade.

Through The Camera’s Eye: Part Three, Ohio Veterans 1865 by Larry M. Strayer and Brad L. Pruden (pp. 23-27)
The authors document the last months of the war and the rush by soldiers to remember their service with badges and photographs. A total of 12 period images are showcased. Identified soldiers include William S. Friesner of the 58^th Infantry, Joseph McElroy of the Veteran Volunteer Corps, Robert N. Traver of the 2^nd Veteran Volunteer Corps, Richard Lemon of the 3^rd Veteran Volunteer Corps, David R. Sims of the U.S. Navy with his wife Adelaide and daughter Lissa, Gen. Stephen J. McGroarty of the 82^nd Infantry and his staff, Col. John W. Fuller of the 27^th Infantry, Gen. John W. Sprague of the 17^th Corps and his staff, James A. Kittle and Alonzo Corser with the regimental colors of the 55^th Infantry, The daughter of Col. Jack Casement of the 103^rd Infantry standing with the national flag of her father’s regiment and Capt. Warren W. Cooke with lieutenants George M. Young and William H. Wood of the 14^th Infantry.

“Family Honor:” Mortimer and Wells Leggett in the Civil War photos from the collections of Larry Strayer and David Neville (p. 28)
A portrait of Maj. Gen. Mortimer D. Leggett pictured as colonel of the 78^th Ohio Infantry and two images of Wells W. Leggett, a wartime view as chief engineer of the 17^th Corps and a postwar portrait as a West Point cadet.

Six Buckeyes From The Collection of Stephen Altic (pp. 29-31)
Portraits include Pvt. Benjamin Franklin Coffman, Corp. Thomas J. Coen and an unidentified member of the 1^st Infantry, an unidentified member of the 54^th Infantry and privates William H. Hay and Allen Worthington of the 71^st Infantry.

George Crook by Mark Kasal (pp. 32-33)
Four portraits picture the noted Union cavalry general.

Charles Jesson: Requiem for a Cannoneer by Mike Fitzpatrick (p. 34)
English-born Jesson began his war service with the 25^th Ohio Infantry in 1861 and died of disease in May 1863—just two months after he received his corporal’s stripes.

William S. Bowman: Game Lad with a Gimp Leg by Mike Fitzpatrick (p. 35)
The Ohioan was only 16 when he enlisted in his home state’s 77^th Infantry in the fall of 1861. After a bout of typhoid fever left him lame, he spent the rest of the war as a clerk, nurse and other less physically strenuous duties.

Ohioans From the Collection of Ken Turner (pp. 36-37)
Portraits include Pvt. William Lewis of the 5^th Cavalry, Lt. John A. Mendenhall of the 75^th Infantry (captured at Gettysburg on July 2, 1863), Frank Rockefeller of the 7^th Infantry (brother of John D. Rockefeller), Sgt. George H. Jordan of the 1^st Light Artillery and Lt. Col. James S. Crall of the 82^nd Infantry with his counterpart in the 101^st Illinois Infantry, John B. LeSage.

Ohio Cartes de Visite From the Collection of Steven A. Morr (pp. 38-39)
Portraits include Capt. William J. Colliflower of the 63^rd Infantry, Capt. Jacob G. Bittinger, Capt. William H. Farber, Capt. Alonzo W. Hancock and Pvt. Isaac M. Thomas of the 64^th Infantry, Pvt. Perry J. Maine of the 15^th Infantry, 1^st Lt. William A. Bell of the 4^th and 65^th infantries, Asst. Surg. John McCurdy of the 23^rd Infantry and Asst. Surg. Nathan S. Richardson of the 118^th Infantry.

Michael Hammerson’s Buckeyes (pp. 40-42)
Portraits include a hospital steward identified as Henry Hisler of the 103^rd Infantry, a bewhiskered sergeant photographed in Cincinnati, Pvt. Edson M. Schryver of the 114^th Infantry and 1^st Louisiana Cavalry, Pvt. John P. Hall of the 7^th Ohio Cavalry and four soldiers from the 37^th Infantry: Capt. Paul Wittich, 1^st Lt. Theodore Nieberg, 1^st Lt. Jacob Ritter and 2^nd Lt. William Weiss.

Ohioans From the Collections of Our Readers (pp. 43-46)
Portraits include Sgt. John Franklin Shearer of the 94^th Infantry, a young infantryman standing at “Order Arms,” a fully equipped soldier photographed in Cincinnati, troopers from the 1^st Cavalry, twin brothers Edward L. (52^nd Infantry) and Fredrick P. Anderson (181^st Infantry), a soldier dressed in a mounted enlisted man’s overcoat and Maj. John B. Rice of the 72^nd Infantry with Capt. Richard B. Wood of the 3^rd Cavalry, a soldier with what nay be a 23^rd Corps badge, a soldier who served in the 4^th or 8^th infantries, Capt. David H. Moore of the 87^th Infantry and Maj. George L. Wood of the 125^th Infantry.

Sutler’s Row (p. 47)

The Last Shot (p. 48)
A circa 1888 cabinet card from the Chris Nelson collection pictures veterans of Grand Army of the Republic Post No. 23 gathered around the cannon “Millennium” which is composed of buckeyes.

The complete issue

Vol. XXXI, No. 6
(40 pages)

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Inside

Cover image
Ambrotype of eight soldiers thought to be members of the Confederate 20^th Tennessee Infantry at Rock Island Prison during the winter of 1863-1864. Additional details and information about the image appear on page 38, and a profile of the regiment can be found on pages 28-31. The image is credited to the Battle of Franklin Battlefield Trust.

Inside Front Cover Image
Bugler Roy Jackson, Troop I, 6^th U.S. Cavalry, at Fort Meade, S.D., April 6, 1906. Jackson holds a Model 1892 bugle in this image from the Chris Nelson collection.

Table of Contents (p. 1)

Editor’s Desk (p. 2)
The editor observes that Civil War photo exhibits have always been popular, and notes the April 2, 2013, opening of Photography and the American Civil War at the Metropolitan Museum of Art in New York City. A selection of images from the exhibit is featured in the issue. The editor also notes the passing of legendary militaria dealer, collector, historian, author and longtime MI subscriber and contributor Norm Flayderman on May 23, 2013.

Enoch Long: Benton Barracks Photographer by Kevin Canberg (pp. 3-5)
The work of St. Louis photographer Enoch Long is well known by the distinctive painted canvas backdrop he used to frame his soldier portraits. Five examples of Long’s work are featured here, including the author’s portrait of Long himself seated in front of the backdrop, and four other images from the Library of Congress collections.

In the Spotlight (pp. 6-21)
A total of 25 “Images from the Collections of our Readers” includes a range of subjects and time periods. Union soldiers and sailors are featured in 12 of the images, and 6 are Confederates. Two are of unknown origin, and the rest of the images are soldiers photographed after the Civil War.

The Civil War Comes To The Met (pp. 22-27)
To mark the occasion of the blockbuster exhibit, Photography and the American Civil Q&A’s with curator Jeff Rosenheim, MI senior editor Michael J. McAfee and contributing editor David W. Vaughan shed light on how the exhibit came together. Both McAfee and Vaughan were lenders and consultants. Rosenheim noted in response to the question of how The Met decided to mount such an exhibit, “The belief that the medium of photography transformed the war and that the war transformed the medium of photography in interesting ways. Among other things, it established a visual tradition that defined American photography for the next 150 years.” The story is illustrated by seven images from the exhibit.

Desolation & Despair by D.A. Serrano (pp. 28-31)
The discovery of a rare outdoor ambrotype of Confederates provides the impetus for this story. Author Serrano notes, “Recently, an image of several Confederates purportedly taken at Rock Island Prison has come to light and with it a story of one of the most traveled, hardest fought regiments in the Army of the Tennessee, the 20^th Tennessee Volunteer Infantry.” The story profiles the respected regiment and includes portraits of six of its members, Pvt. William G. Bryant, Capt. Theodrick “Todd” Carter, Maj. Fred C. Claybrooke, Capt. William G. Gwin, Pvt. John Pritchard and Brig. Gen. Thomas Benton Smith.

Uniforms & History by Michael J. McAfee (p. 32)
In “What’s in a Picture? (Or Look Closely!),” the author reflects on his recent eBay purchase of a carte de visite of an unidentified member of the 13^th New York Heavy Artillery. He was inspired to bid on the image because the Hardee hat sitting on a small table next to the soldiers had its normally upturned brim unpinned, and the pin was still attached to the hat body—an unusual detail to be found in an image from this period. Once McAfee had the image in hand, he noticed a number of other surprising details.

Vignette from the Naval War, 1861-65 by Ron Field (p. 33)
In “U.S. Navy Pig,” Field examines a carte de visite by American photographer Villroy L. Richardson of about 50 seamen and one pig photographed off Lima, Peru, after 1862. Field describes the uniforms and activities of the men, and speculates that the pig may have been a mascot or more likely a source of fresh meat for the crew.

The Confederate Soldier (p. 34)
The colonel of the 4^th Tennessee Cavalry, Baxter Smith (1832-1919) is shown full standing in this image from the John Sickles collection. Smith was captured on May 9, 1863, near the Caney Fork River in Tennessee, imprisoned at Johnson’s Island, Ohio, and exchanged in February 1865.

Six From Sickles by John Sickles (pp. 35-37)
A series of vignettes of Confederates includes John Van Horn of Spencer’s North Carolina Partisans and the 42^nd North Carolina Infantry, John Ross of the 1^st Mississippi Partisan Rangers (later the 7^th Mississippi Cavalry), Frank P. Peak of Byrne’s Battery (attached to John H. Morgan’s cavalry), Henry H. Curry of the 2^nd Kentucky Cavalry and T.L. Kendall of the 1^st Confederate Cavalry.

The Last Shot (p. 40)
Frank Battle of the 20^th Tennessee Infantry was the son of the regiment’s colonel, and three of his brothers served alongside him. He distinguished himself in combat at the Battle of Stone’s River and went on to raise a company of cavalry for service under Gen. Joseph Wheeler. Battle was captured in Wilson County, Tenn., on July 29, 1863, and confined at Johnson’s Island, Ohio, until exchanged in February 1865. He ended the war with Nathan Bedford Forrest’s cavalry, and later became a bounty hunter for the state of Tennessee.

Inside Back Cover
In this image from the Chris Nelson collection, Spanish American War dead troops are laid to rest. Their identities are painted on the ends of flag covered coffins.

Back Cover
A carte de visite from the Steve Karnes collection pictured men from the 26^th New York Cavalry, also known as the “Frontier Cavalry,” on a Malone, N.Y., street. The regiment was organized in response to a daring Confederate raid on St. Albans, Vt., in the fall of 1864. The 26^th was composed of troops from New York, Massachusetts and Vermont. An inscription on the back notes, “Frontier Cavalry Mass. Boys the day they left Malone to be mustered out, June 28, 1865.”