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Free Talk About the 19th Indiana and the Iron Brigade, April 9, 2025

Live in Chicago and on Zoom | April 9, 2025 | 7:30 p.m. CST
📍 Zoom ID: 845 3227 1496 | No Passcode Required
Brought to you by the Civil War Round Table of Chicago
https://www.chicagocwrt.org/index.html

The Iron Brigade—famed for their black Hardee hats and fierce reputation—is often remembered as Wisconsin’s pride. But the 19th Indiana Infantry was there from the beginning. On April 9, Phil Spaugy, a senior editor who writes “Of Arms and Men” for Military Images, will share the compelling story of this hard-fighting Hoosier regiment.

At Gettysburg, the 19th Indiana fought valiantly along Willoughby Run, bearing the brunt of the July 1 assault with grim tenacity. They suffered a 62% casualty rate in a single day—an astonishing toll. Five color bearers fell carrying the flag. Their colonel, Samuel J. Williams, a farmer from Indiana with Virginia roots, was wounded at Gettysburg and later killed in action at the Battle of the Wilderness.

Phil brings decades of experience to this story. A longtime member of the North South Skirmish Association, he has live-fired nearly every type of Civil War firearm. His expertise in infantry arms, uniforms, and accouterments—especially those connected to the Iron Brigade of the West—makes him one of the most sought-after voices in the field.

In addition to his work for Military Images, Phil is the Arms Columnist for The Civil War Monitor and serves as a historical consultant to the Adams County Historical Society and Civil War News. He and his wife, Amy, live in Vandalia, Ohio.

Whether you attend in person or tune in via Zoom, this is a talk you won’t want to miss.

📆 Mark your calendar: Wednesday, April 9
💻 Zoom Meeting ID: 845 3227 1496
🕢 7:30 p.m. CST | No passcode required

Military Images Connects Local Historians Writing a Book With a Civil War Era Photograph

Since its founding in 1979, Military Images magazine has played a vital role in connecting authors, historians, and researchers with compelling photographs to illustrate their work. As the only publication dedicated solely to the study and appreciation of Civil War portrait photography, Military Images has cultivated a vast network of collectors, archivists, and history enthusiasts who contribute to preserving these invaluable visual records.

The latest example of our ongoing mission involves Kingston 300, Inc., a non-profit organization preparing to publish Tales of Jones River Village: Kingston’s 300 Years, a book celebrating the tricentennial of Kingston, Massachusetts, in 2026. As part of their effort to tell the town’s rich history, Ken Brack. One of the volunteers working on the project, reached out to request permission to publish the poignant image here of two women glancing at an empty chair, which appeared in the Autumn 2023 issue of the magazine to illustrate “Symbol of Remembrance: The Vacant Chair” by Elizabeth A. Topping. The image is in Elizabeth’s collection.

“The Vacant Chair,” a poem written by Henry Stevenson Washburn following the Battle of Ball’s Bluff, Va., in October 1861, edited national attention after George F. Root pirated the song in 1862 and set the words to music. Washburn lived in Kingston at one time. According to Brack, Kingston 300, Inc. plans to publish a short story about Washburn in the forthcoming book.

Brack discovered Elizabeth’s story and photograph in our digital edition and reached out for permission, which Elizabeth granted. 

Making the connection between Elizabeth and Brack is another testament to how Military Images bridges the past and present through curated photographic content.

By facilitating access to historically significant imagery, Military Images strengthens the narratives of authors and researchers, ensuring that stories of the past are not only told but visually brought to life. This latest collaboration with Kingston 300, Inc. underscores the magazine’s long-standing commitment to historical preservation and education. As Military Images approaches its 50th anniversary, it remains a trusted resource for those seeking to honor and understand America’s military history through the power of photography.

Faces of Freedom Exhibit Travels to the Lincoln Depot Museum

We are thrilled to announce that our traveling exhibit, Faces of Freedom, is coming to the Lincoln Depot Museum in Peekskill, N.Y. The exhibit will be on display from June 7 through July 12, 2025, offering visitors a powerful opportunity to connect with the courageous Black men who fought for freedom during the Civil War.

Established in 2019, Faces of Freedom first appeared at the Hubbard House Underground Railroad Museum in Ashtabula, Ohio. After a pause due to COVID, the exhibit resumed its travels in 2024, stopping at the Goodridge Freedom Center and Underground Railroad Museum in York, Pa., followed by Manassas National Battlefield Park. Now, we are honored to bring this exhibit to the Lincoln Depot Museum.

The Lincoln Depot Museum is a fitting location for this unique exhibit. President Abraham Lincoln traveled by rail through Peekskill on the way to his first inauguration in 1861. Two years later, Lincoln signed the Emancipation Proclamation, an executive order that paved the way for the enlistment of Black men in the Union Army and Navy. The soldiers featured in Faces of Freedom fought for the very cause Lincoln championed—freedom and equality.



The exhibit features 37 stunning, high-quality prints of wartime portraits of Black soldiers and sailors who served in the U.S. Colored Troops (USCT) and Navy. Each portrait is paired with a compelling biographical sketch detailing their wartime experiences—some gave their lives in service of a more perfect Union, while others continued their fight for justice as Buffalo Soldiers in the West.

This special exhibit is made possible by Military Images, with assistance from the Goodridge Freedom Center and Underground Railroad Museum. Editor and Publisher Ron Coddington shares, “We are excited to bring these incredible portraits and stories to the Lincoln Depot Museum, where visitors can truly appreciate the bravery and sacrifice of these men who shaped our nation’s history.”

The images on display come from both private collectors and esteemed public institutions. We extend our deepest gratitude to the following individuals for sharing images from their collections: Jonathan Beasley, David E. Brown, Kevin Canberg, Glen Cangelosi, Ronald S. Coddington, Greg French, Thomas Harris, Ross Kelbaugh, C. Paul Loane, Steve Meadow, Ronn Palm, and Paul Russinoff.

We also thank the following institutions for their contributions:

  • Beinecke Rare Book and Manuscript Library, Yale University
  • The Lawrence T. Jones III Collection at DeGolyer Library, Southern Methodist University
  • Gettysburg National Military Park Museum
  • Kansas State Historical Society
  • The Liljenquist Family Collection at the Library of Congress
  • National Archives
  • West Virginia and Regional History Collection, West Virginia University Libraries
  • Manuscripts, Archives, and Rare Book Library, Robert W. Woodruff Library, Emory University

Don’t miss this extraordinary opportunity to experience history up close and honor these forgotten heroes. Visit the Lincoln Depot Museum in Peekskill, N.Y., and immerse yourself in the powerful stories of the Faces of Freedom.

For more details about the exhibit and museum hours, please visit https://lincolndepotmuseum.org/.

The Spring 2025 Issue

A complete table of contents for the Spring 2025 issue of Military Images magazine, and information about how to purchase single issues and subscriptions.

Vol. XLIII, No. 2
(80 pages)

Print edition: Visit our store to check availability
Digital edition: Visit JSTOR.org to purchase
Subscribe or renew your subscription

Explore the MI Archives:
Browse | Advanced search | Tutorial

Inside

Cover
A tintype from the Dan Schwab Collection pictures Confederate Col. Evander Mciver Law recuperating from the wound he suffered at the First Battle of Manassas.

Table of Contents (p. 1)

Editor’s Desk (p. 2)
After Kolt Massie alerted me about a tintype picturing Evander M. Law recovering from his First Manassas wound, I reflected on the thrill of Civil War photography discoveries.

Mail Call (pp. 3-4)
Feedback includes an appreciation for John Walsh’s Fort Donelson feature, Kurt Luther’s Photo Sleuth column, Paul Russinoff’s story about a Michigan cavalryman, and more.

Military Anthropologist (p. 4)
A review of shot fractures of limbs in The Medical and Surgical History of the War of the Rebellion reveals the success rates of conservation, excision, and amputation.

Passing in Review (p. 6)
Righteous Strife by Richard Carwardine, published by Knopf Doubleday, explores how religious nationalism shaped Lincoln’s Union and the Civil War’s moral battles.

Photo Sleuth by Kurt Luther (pp. 8-10)
Photo sleuthing Civil War portraits requires triangulating names, units, and ages to ensure accurate IDs, revealing lost soldier stories and correcting mislabeling.

Antebellum Warriors (p. 12)
A daguerreotype of an unidentified 1840s-50s militia soldier showcases distinctive insignia, a Model 1840-style sword, and period-specific uniform details.

Most Hallowed Ground (p. 14)
Edmund C. Bainbridge, a career U.S. Army officer, served in key Civil War campaigns before retiring as a colonel. He was buried with honors at Arlington.

The Honored Few (p. 16)
At Petersburg, John W. Boutwell of the 18th New Hampshire Infantry rescued a wounded comrade. Decades later, he and another soldier received the Medal of Honor.

The Citizenry (p. 18)
Love of country fills this portrait of a patriotic woman, likely a fundraising image from the 1864 Mississippi Valley Sanitary Fair, featuring the Old Guard’s flag and liberty cap.

Of Arms and Men by Phil Spaugy (pp. 20-22)
Colonel Lew Wallace found a dead Confederate’s ornate Tryon & Co. muzzle-loading rifle at Fort Donelson in 1862, and took it home as a battlefield souvenir.

Wounded Warriors: Slings, crutches, and missing limbs are emblems of personal ;pass and patriotic sacrifice(pp. 22-36)
A photographic survey of Civil War amputees and other wounded soldiers and sailors, their societal impact, medical treatment, and portraits of the veterans.

Gifted Scholar, Faithful Christian, Reluctant Soldier: The life and times of Virginia professor and artillerist Lewis Minor Coleman by Ronald S. Coddington, with images from the Dave Batalo Collection (pp. 38-45)
Lewis Minor Coleman, an educator turned Confederate officer, sought to balance duty, faith, and the horrors of war. His service culminated at Fredericksburg.

A Useful Life: Sarah Chamberlin Eccleston, Civil War nurse and educator by Sidney Dreese (pp. 46-48)
Sallie Chamberlin defied age restrictions to serve as a Civil War nurse, later pioneering kindergarten education in Argentina. She lived a life of service.

Cruising the Potomac and Elsewhere with Brig. Gen. John P. Slough’s Brigade Band by Ronald S. Coddington, with images from the Mark Jones Collection (pp. 50-55)
Formed from the 60th New York Infantry, Slough’s Brigade Band played at key Civil War events in Alexandria, Va., and Washington, D.C.

Winslow’s Homer’s Use of Portrait Photographs in Civil War Era Illustrations by Rick and Victoria Britton (pp. 57-60)
A recently discovered sketch of Gen. Montgomery Meigs adds to Winslow Homer’s rich artistic legacy. The famed Civil War illustrator captured wartime life in Harper’s Weekly.

Wherever He Went, He Found History: Remembering Alex de Quesada, 1965-2024 by Ronald S. Coddington(pp. 62-64)
Alex de Quesada (1965-2024) was a passionate historian, collector, and author, known for his militaria expertise, vast artifact collection, and love of Star Wars.

Material Culture by Frank Graves (p. 66)
An early 1840s daguerreotype features an unknown man holding a U.S. Model 1805 Harpers Ferry flintlock pistol, the first military handgun made by a U.S. national armory.

Women of War by Melissa A. Wynn (pp. 68-69)
Clara Barton, Civil War nurse and founder of the Missing Soldiers Office, helped families locate lost loved ones and later established the American Red Cross.

Behind the Backdrop by Dave Batalo (p. 70)
A look at a painted camp and forts backdrop that appears in Confederate soldier portraits; it may be connected to a Fredericksburg photographer.

Vignette by Scott Valentine (p. 72)
First Lt. and Adjutant Orett Munger of the 44th New York Infantry was captured at Laurel Hill but freed by Gen. George Armstrong Custer’s cavalry. After the Civil War he settled in Chicago.

Stragglers (p. 74)
Confederate and Union soldiers pose for portraits, showcasing unique uniforms, tinting, and photography techniques by Charles R. Rees and other artists.

The Last Shot (p. 80)
A Confederate captain poses in a rustic studio scene with a tree-trunk chair and table, holstered sidearm, and missing coat button.

Preserving History, Shaping the Present at a National Military Park

At Military Images, we know that every historical photograph is more than just an image—it’s a window into the past, offering valuable insights for today’s Americans. That’s why we were honored to receive a recent request from the National Park Service to include one of our published photographs in a Cultural Landscape Report for Chickamauga and Chattanooga National Military Park’s Point Park.

The image, a rare carte de visite of a Confederate military encampment atop Lookout Mountain, was originally featured in our Autumn 2018 issue as part of a “Linns of Lookout.” Its inclusion in this report underscores the continued relevance of Civil War photography.

The owner of the image, Dr. Anthony Hodges, a lifelong collector and dedicated steward of Chickamauga and Chattanooga history, has spent more than 40 years serving the National Military Park. His passion for historical preservation is a reminder that these images are not just relics of the past—they are essential to understanding our national story.

This request is just one example of how Military Images contributes to our ongoing mission to showcase, interpret, and preserve historic photography. We are delighted to play a role in ensuring that the stories of the Civil War—and the landscapes that shaped them—remain visible and meaningful for future generations.

Cover Image To Be Used in Civil War Trails Guide

The use of Civil War photographic portraits to aid in the interpretation of battlefields and other historic sites is part of the larger mission of Military Images magazine. Recently, Terry Heder, Historian/Editor of Civil War Trails. reached out to request permission to feature the image that graced the cover of our Winter 2020 issue.

It pictures two brothers in uniform, one Union and the other Confederate. Edward A. Fowlkes, a Mexican War veteran, served in the Union 12th Tennessee Cavalry. He is pictured here, seated on the left, as a first lieutenant, a rank he earned in May 1865. Next to him sits brother Gabriel, or Gabe, who served in the Confederate 11th Tennessee Infantry. You can read their story here.

Heder noted in his request, “We’re creating an updated map guide for Civil War Trails interpretive sites in Tennessee, and the guide will include narrative sections about different aspects of the war. We’d like to use the image of the Fowlkes brothers in the introductory section, “Torn in Two,” that discusses how the war divided the people of the state.”

Civil War Trails began working with communities in 1994 “to share their stories and connect visitors with small towns and big stories across a network that now spans six states. Travelers look to Trails to put them in the footsteps of the generals, soldiers, citizens, and the enslaved who found themselves in the midst of this Civil War.”

The owner of the Fowlkes brothers image, Gary Waddey, graciously gave permission to Civil War Trails.

Military Images is excited to play a role in connecting organizations and collectors to humanize history.

The Winter 2025 Issue

A complete table of contents for the Winter 2025 issue of Military Images magazine, and information about how to purchase single issues and subscriptions.

Vol. XLIII, No. 1
(80 pages)

Print edition: Visit our store to check availability
Digital edition: Visit JSTOR.org to purchase
Subscribe or renew your subscription

Explore the MI Archives:
Browse | Advanced search | Tutorial

Inside

Cover
An ambrotype from the John Walsh Collection pictures Confederate Brig. Gen. John Buchanan Floyd just after the Battle of Fort Donelson.

Table of Contents (p. 1)

Editor’s Desk (p. 2)
A new traveling exhibit of photographs of Civil War nurses is a partnership between Military Images magazine and the Clara Barton Missing Soldiers Museum.

Mail Call (pp. 3-4)
Feedback includes notes on the JEB Stuart in Hagerstown, Md., story, a possible South Carolina Zouave image, and more.

Military Anthropologist (p. 4)
A review of 100 ambrotypes, cartes de visite, and tintypes published in Military Images reveals that tents are ubiquitous in backdrop paintings.

Passing in Review (pp. 6)
A review of Paul Frecker’s Cartomania: Photography & Celebrity in the Nineteenth Century (September Publishing).

Photo Sleuth by Kurt Luther (pp. 8-9)
Identifying a portrait of Civil War officer Charles Trowbridge of the 33rd USCT results in connections to photographer Eliza Balch and nurse Susie King Taylor.

Antebellum Warriors (p. 10)
A U.S. sailor dressed in a cap with a star on the front and a blue bib on his jacket with 1852-pattern buttons.

Most Hallowed Ground (p. 12)
Civil War Union Maj. Gen. James Brewerton Ricketts and his wife, Fanny, are buried in Arlington National Cemetery.

The Honored Few (p. 14)
Captain George N. Bliss of the 1st Rhode Island Cavalry received the Medal of Honor for charging the enemy without support near Waynesboro, Va., on Sept. 28, 1864.

The Citizenry by Elizabeth A. Topping (p. 16)
During the Civil War years, the plight of soldiers with disabilities are often highlighted. Yet there were also women who had to cope with disfigurements.

Of Arms and Men by Phil Spaugy (pp. 18-20)
Images of howitzers of the 5th Ohio Cavalry are named for the wives of two of the regiment’s officers. The guns played a part in William T. Sherman’s 1864 March to the Sea.

Donelson: Early turning point of the Civil War by John Walsh (pp. 22-39)
The triumph by U.S. forces at Fort Donelson in early February 1862 dramatically turned the tide of the Civil War, then in its first year, and Ulysses S. Grant rose to prominence.

One Vacant Chair: Photographs of a Michigan family remind us of loss and sacrifice by Paul Russinoff (pp. 40-49)
Photos of a Michigan family lost their father and husband, William H. Black of the 5th Michigan Cavalry, to disease during the Civil War.

Man-of-War Men: A gallery of naval photographic portraits by Ron Field(pp. 50-56)
Representative images from the author’s collection include Union sailors from the Brown Water Navy and the coastal blockade forces.

Material Culture by Jack Hurov (pp. 58-60)
Civil War portrait photos reveal that soldiers fastened buttons on both the right and left sides, unlike today, where men’s fashion is only on the right side.

Women of War by Melissa A. Wynn (pp. 62-63)
Virginia native and Southern spy “Belle” Boyd, arrested multiple times by federal authorities, provided military intelligence to the Confederate Army.

Behind the Backdrop by Ronald S. Coddington (pp. 66-67)
A look at the military-landscape painted backdrop of Washington, D.C., photographer John Wallen Holyland.

Vignette by Scott Valentine (p. 70)
During the Battle of Plum Point Bend in May 1862, the crew of Union Mortar Boat No. 16 and its commander, Thomas B. Gregory, distinguished themselves under fire.

Stragglers (p. 74-77)
Unique Civil War photographs include a soldier pictured in a clock pendulum bob, a Confederate soldier picture with a portrait of another soldier, and more.

The Last Shot (p. 80)
Explore the story behind Joseph W. Turner’s “The Assassin’s Vision,” inspired by John Wilkes Booth, Abraham Lincoln, and a 19th-century photo collage.

The Autumn 2024 Issue

A complete table of contents for the Autumn 2024 issue of Military Images magazine, and information about how to purchase single issues and subscriptions.

Vol. XLII, No. 4
(80 pages)

Print edition: Visit our store to check availability
Digital edition: Visit JSTOR.org to purchase
Subscribe or renew your subscription

Explore the MI Archives:
Browse | Advanced search | Tutorial

Inside

Cover
A sixth-plate tintype from the Claudia and Al Niemiec Collection pictures two soldiers from the U.S. Colored Troops (USCT) at Benton Barracks in St. Louis. 

Table of Contents (p. 1)

Editor’s Desk (p. 2)
After a quarter century of subscription costs remaining the same, the rate for a single year will change from $24.95 to $30 effective Jan. 1, 2025.

Mail Call (pp. 3-4)
Feedback includes an observation about uniform coats buttoned on the opposite side, praise for columnist Phil Spaugy, praise for theory about the iconic image of three Confederate prisoners after Gettysburg, and more.

Military Anthropologist (p. 4)
A breakdown of about 2.1 million soldiers contributed by each state and territory to the U.S. Army during the Civil War as a percent of the 1860 U.S. Census population figures.

Passing in Review (p. 6)
Book review of The Atlanta Campaign, 1864,(Casemate Publishers) by David A. Powell.

Photo Sleuth by Kurt Luther (pp. 8-11)
Exploring the search for Civil War soldier photos from the Battles of First and Second Manassas, uncovering portraits and expanding collections for museums.

Antebellum Warriors (p. 12)
This unidentified soldier wears the antebellum uniform of the 6th Massachusetts Infantry, which gained national attention in 1861 during the Baltimore riot.

Most Hallowed Ground (p. 14)
General John A. Rawlins, Ulysses S. Grant’s chief-of-staff, died in 1869. Grant missed being at his deathbed by an hour. Rawlins rests in Arlington Cemetery.

The Honored Few (p. 16)
Jenny Langbein, a drummer boy in Hawkins’ Zouaves during the Civil War, bravely saved his comrade at the Battle of Camden, earning a Medal of Honor and becoming a New York lawyer.

The Citizenry by Elizabeth A. Topping (pp. 18-19)
Calisthenics, introduced in the 1830s, revolutionized fitness for women with light exercises and gymnastic routines, promoting health, grace, and preparing women for motherhood.

Of Arms and Men by Phil Spaugy (pp. 22-25)
The First Model Maynard Carbines carried by the Bolivar Troop of Mississippi during the early part of the Civil War proved formidable, almost mythical, weapons.

The Black Phalanx at Benton Barracks: Transforming men of color into U.S. soldiers, late 1863 to early 1864 by Ronald S. Coddington (pp. 28-31)
African American soldiers of the United States Colored Troops (USCT) at Benton Barracks in St. Louis endured prejudice and hardship before becoming distinguished U.S. Army men.

JEB: A portrait taken in Hagerstown captures Stuart during the withdrawal following Gettysburg by Phil McCoy (pp. 32–40)
During the retreat after the Battle of Gettysburg, JEB Stuart posed for this portrait in the Hagerstown, Maryland, gallery of photographer Elias M. Recher.

Back to Libby: In 1864, Capt. Matt Boyd successfully made the Great Escape from Libby Prison. In 1889, he returned to deal with his demons. by Ronald S. Coddington (pp. 42-52)
Boyd, a captain in the 73rd Indiana Infantry surrendered at the abrupt end of Streight’s Raid, returned to Libby Prison as a guard when the building was moved to Chicago and opened as a museum.

Forever Peace: A former Confederate gives a miniature of the Appomattox surrender table to Ulysses S. Grant by Ronald S. Coddington (pp. 54-58)
Ulysses S. Grant received a hero’s welcome in Philadelphia in 1879, featuring a grand parade and the presentation of a gold miniature table symbolizing peace after the Civil War.

Artisans of Ames: An antebellum portrait of the people behind the prominent Civil War arms manufacturer by Ron Maness(pp. 60-63)
Ames Manufacturing Company artisans, known for producing military arms, gathered circa 1850 in Chicopee, Mass., posing with cannons, swords, and silverware near their factory.

Material Culture by Bill Thompson (pp. 66-67)
Robert S. Capen of the 1st and 4th Massachusetts cavalries carried this Colt Model 1860 revolver during the Civil War, and a photograph of his wife and son.

Women of War by Melissa A. Winn (pp. 68-70) 
Dr. Mary Edwards Walker, the only woman to receive the Medal of Honor, was a pioneering Civil War surgeon, women’s rights advocate, and a champion of dress reform.

Behind the Backdrop by Adam Ochs Fleischer (pp. 72-73)
The Moore brothers’ Hartford, Conn., studio produced high-quality Civil War portraits with a unique military backdrop, blending photography and fine art.

Vignette: Episodes of the Civil War by Scott Valentine (p. 74)
William Estes Hacker of the 3rd Maryland Infantry, wounded at Antietam in 1862, never fully recovered. He died of typhoid fever in 1863 and is buried in Philadelphia’s Laurel Hill Cemetery.

Stragglers (pp. 76-77)
Union soldier images contributed by Military Images magazine subscribers include men from the 43rd Wisconsin and 12th Connecticut infantries, and others.

The Last Shot (p. 80)
Two political cartoons depict Lincoln’s decisive 1864 election victory over McClellan, highlighting the Union’s support during the Civil War.

Autumn 2024 Issue Highlights

The feature stories and columns you’ll find in our Autumn 2024 issue. Pick up a copy or a subscription in our store.

Faces of Freedom Exhibit Travels to Manassas

Our traveling exhibit, Faces of Freedom, is coming to Manassas National Military Park. The exhibit will be on display at the Visitor Center from September 2 through November 1, 2024.

Established in 2019, the exhibit first appeared at the Hubbard House Underground Railroad Museum in Ashtabula, Ohio. Covid paused our travels until 2024, when the exhibit moved to the Goodridge Freedom Center and Underground Railroad Museum in York, Pa.

The exhibit features 37 high-quality prints of wartime portraits of Black men who served in the U.S. Colored Troops (USCT) and Navy during the Civil War. Each portrait is accompanied by a biographical sketch detailing their wartime experiences. This is a unique opportunity to honor and learn about these brave individuals, some who sacrificed their lives to make a more perfect union and others who went on to become Buffalo Soldiers.

This exhibit is made possible by Military Images. Editor and Publisher Ron Coddington observes, “This is another wonderful opportunity to share portraits and stories, and our history, with visitors to the hallowed grounds of the First and Second Battles of Bull Run.”

The images are from private collectors and public institutions.

These individuals shared images from their collections for inclusion in this exhibit: Jonathan Beasley, David E. Brown, Kevin Canberg, Glen Cangelosi, Ronald S. Coddington, Greg French, Thomas Harris, Ross Kelbaugh, C. Paul Loane, Steve Meadow, Ronn Palm, and Paul Russinoff.

Images from public institutions include the Beinecke Rare Book and Manuscript Library, Yale University; The Lawrence T. Jones III Collection at DeGloyer Library, Southern Methodist University; Gettysburg National Military Park Museum; Kansas State Historical Society; The Liljenquist Family Collection at the Library of Congress; National Archives; West Virginia and Regional History Collection, West Virginia University Libraries; and the Manuscripts, Archives, and Rare Book Library, Robert W. Woodruff Library, Emory University.

Interested in bringing Faces of Freedom to your location? Fill out this form.