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Military Images

Finding Aid: March/April 1998

The complete issue

Vol. XIX, No. 5
(40 pages)

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Cover image
A quarter-plate ruby ambrotype from the William Elswick Collection pictures a Confederate infantryman with a Model 1841 Mississippi Rifle or a “Palmetto” copy of it, and a sign that reads “Victory or Death!”

Editor’s Desk (p. 3)
The editor observes the long history of art thieves and forgers, and shares a piece of advice: Know your dealer, take nothing at face value, and always carry a loupe or magnifying glass.

Mail Call (pp. 4-5)
Letters include comments about gangs in New York, a Georgia uniform, New England militia photos, Irish Papal Zouaves and more.

Passing in Review (pp. 6-7)
Seven publications are mentioned, including Georgia Sharpshooter: The Civil War Diary and Letters of William Rhadamanthus Montgomery (Mercer University Press) edited by George Montgomery, The Illustrated Encyclopedia of Civil War Collectibles (Owl Books) by Chuck Lawliss, Civil War Sites, Memorials, Museums and Library Collections: A State-by-State Guidebook to Places Open to the Public (McFarland & Company) by Doug Gelbert and more.

Elswick’s Elegant Images: Photographs from the collection of William Elswick (pp. 8-14)
A gallery of 30 representative images includes portraits of Union and Confederate soldiers. They include a sergeant in the U.S. Colored Infantry, a Native American, several Confederates and a carte de visite of Joshua Lawrence Chamberlain after his promotion to colonel.

From Shiloh to Santiago: Biography of William Wallace Walker, Jr. by Martin L. Callahan (pp. 15-19)
A former Confederate captain in Col. Wirt Adams’s Regiment of Mississippi Cavalry, Walker went on to serve in the American army with the 1st Texas Cavalry during the Spanish-American War. The text is illustrated with a circa 1898 portrait of Wallace and other images from both wars, as well as a photograph of his Spanish-American War uniform and revolver.

“Hope of the 22nd Ohio:” A portrait of Western soldiers by Ed Italo (pp. 20-21)
A portrait of 18 identified, non-commissioned officers is accompanied by a brief sketch of the regiment’s history, which includes the Battle of Shiloh and other engagements.

The Journal of William O’Shaughnessy, Battery H, 3rd New York Light Artillery edited by Paul Russinoff (pp. 22-27)
O’Shaughnessy documents the 1862 and 1863 North Carolina Campaign, and other parts of his military service. The text is illustrated with a portrait of him on horseback.

Red & White in Blue: Four tragedies of the Indian Wars (pp. 28-30)
A collection of profiles, each illustrated with an original portrait, includes Theodore G. Cree of the 2nd and 3rd Iowa Infantry and the 3rd Colorado Cavalry, Guy V. Henry of the 1st U.S. Artillery, 40th Massachusetts Infantry and 3rd U.S. Cavalry, Ute Warrior “Washington” and Thomas Thornburgh of the 6th Tennessee Infantry and the 4th U.S. Infantry.

Uniforms & History by Michael J. McAfee (pp. 31-32)
In “Khaki, 1898-1902: The New Order” McAfee explores the change from the blue color worn by American soldiers through most of the 19th century to the “drab, utilitarian clothing” of modern times. The text is illustrated with a portrait of Sgt. Thomas Rowland of the 2nd U.S. Cavalry.

Captain Bob’s Caveat Emptorium (p. 35)
The captain tries to pawn off a modern image of re-enactors portraying dead soldiers as Gettysburg casualties.

Sutler’s Row (pp. 36-37)

Stragglers (pp. 38-40)
Solo photos from the collections of our readers were captured at the 1997 Midwest Civil War Show in the Chicago suburb of Wheaton. They include sailors, wounded soldiers, a Maryland officer with a crutch, and more.

Back cover
A photo postcard from the Ben Maryniak Collection pictures the funeral procession of President Abraham Lincoln moving through Buffalo, N.Y.

 

Finding Aid: January/February 1998

The complete issue

Vol. XIX, No. 4
(40 pages)

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Cover image
carte de visite from the David Wynn Vaughan Collection pictures Brule Sioux warrior Hollow Horn Bear with an unknown lieutenant who served in the 5th U.S. Cavalry, circa 1880.

Editor’s Desk (p. 3)
The editor shares a letter full of praise for the magazine, and notes that the issues are now being mailed in protective polybags.

Mail Call (p. 5)
Letters include comments about Anna Etheridge, a Civil War museum exhibit in England, another exhibit, this one about African American soldiers, in Philadelphia, and a theft alert.

Cream of the Crop: Photos from the 1997 Gettysburg Show (pp. 6-25)
A gallery of 78 images is divided into sections that include musicians, militia, sailors and marines, painted backdrops, Feds and Rebs, getting comfortable, family matters, outdoor views and medals and insignia.

The Culpeper Backdrop: A multi-faceted detective story by Dale R. Niesen (pp. 26-29)
The author shares his story of discovery that begins with noticing similar backdrops in portraits of soldiers who served in the 24th Michigan Infantry. What follows is study of the images, findings and a hope that another image will surface that can lead to the identity of the photographer. Seven images illustrate the text.

Monsieur Rondin’s Fake Photo: A Scan that Failed by Norman C. Delaney (pp. 30-32)
Meet Francois Sebastien Rondin of Cherbourg, France, who claimed to have photographed the famous battle between the Alabama and the Kearsarge. But did he? The author examines the evidence and shares his conclusion. Two images illustrate the text.

Uniforms & History by Michael J. McAfee (pp. 33-34)
In “First & Second Regiments United States Sharpshooters, ‘The Green Coats,’” McAfee explores the history and distinct uniforms of this regiment. A portrait of Henry L. Campbell, who served in Company H of the 2nd, illustrates the text.

 Passing in Review (pp. 35-36)
Six publications are mentioned, including A Stupendous Effort: The 87th Indiana in the War of the Rebellion (Indiana University Press) by Jack K. Overmyer, The Young Lions: Confederate Cadets at War (Stackpole Books) by James Lee Conrad, The Mexican National Army, 1822-1852 (Texas A&M University Press) by William A. DePalo Jr., Robert E. Lee: A Life Portrait (Taylor Publishing) by David Eicher and more.

Light & Shadow: Technical Aspects of Photography & Collecting (p. 37)
The art of “contemporary reproductions” is nothing new, according to Barry I. Mickey, who discovered two images from the turn of the 19th century that have been doctored.

The Auction Block (p. 38)
Latest auction news.

Sutler’s Row (pp. 39-40)

Back cover
A sixth-plate ambrotype from the David Wynn Vaughan Collection pictures a soldier in the New England National Guards, a Boston militia company.

 

Finding Aid: November/December 1997

The complete issue

Vol. XIX, No. 3
(40 pages)

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Cover image
A hard plate image from the Rick and Coby Mack Collection pictures an unknown fireman-turned-Union soldier.

Editor’s Desk (p. 3)
The editor looks ahead to Volume XX of the magazine and notes the centennial of the Spanish-American War.

Mail Call (pp. 4-5, 40)
Letters include comments about the Papal Guard Zouaves, the Confederate raider Alabama, 19th century Crips and Bloods, Phil Sheridan and more.

Passing in Review (pp. 5-7)
Eight publications are mentioned, including Play for a Kingdom (Harcourt Brace) by Thomas Dyja, The Civil War in Depth: History in 3-D (Chronicle Books) by Bob Zeller, Blue Lightning (Blue Acorn Press) by Richard A. Baumgartner, Sinews of War (Presidio Press) by Benjamin W. Bacon, Our Noble Blood: The Civil War Letters of Regis de Trobriand (Belle Grove Publishing) by William Styple and more.

September 8, 1863: a momentous day in the history of photography by Bob Zeller (pp. 8-16, 37)
The story of the first combat photograph in history, a scene of the naval bombardment of Charleston Harbor taken by George S. Cook.

“Between the Crosses, Row on Row:” A photo study of the cost of World War I by Richard K. Tibbals (pp. 17-19)
A survey of eight images that picture cemeteries, burials and an execution during the Great War.

Immigrants in the Ranks: A collection of vignettes of foreigners in the Union army (pp. 20-23)
Images and profiles include John Amonson (Norway) of the 46th Illinois Infantry, Peter O’Brien (Ireland) of the 170th New York Infantry, John Keppel (Netherlands) of the 2nd Iowa Infantry, Christian Von Gunden (Switzerland) of the 107th Ohio Infantry, William Remmel (Germany) of the 121st New York Infantry, Theodore Gustavus Fisher (Germany) of the 7th Massachusetts Infantry and Augustus Haun (Denmark) of the 8th Iowa Infantry.

The Elusive Pillbox Cap, 1870-1900 by Anthony Gero (pp. 24-26)
A gallery of seven images pictures soldiers of the post-Civil War era wearing small round caps with buttons on top. These unusual and rare images are all American soldiers.

Black Sheep: Francis Henderson Baker, U.S.N. by David Sullivan (p. 27)
The life and times of Baker, a lieutenant commander who served in the Union blockade, who was part of a lesser known family with deep military connections. The text is illustrated with an original wartime portrait.

Captain Bob’s Caveat Emptorium (pp. 28-30)
In this special “Distress Sale” installment, the wily captain is offering up a genuine Confederate States Marine, Zouaves, Yankee drummer boys and more!

Uniforms & History by Michael J. McAfee (pp. 31-32)
In “The National Rifles, District of Columbia Militia, 1861: ‘A Matter of Loyalty,’” McAfee explores the history and distinct gray and red-trimmed uniforms of this regiment. The text is illustrated with a portrait of Henry M. Slade of the company.

Light & Shadow: Technical Aspects of Photography & Collecting (p. 33)
An 1855 account by a photographer daguerreotyping on the Mississippi River is the focus of this installment.

The Auction Block (p. 34)
Latest auction news.

Sutler’s Row (pp. 35-37)

Stragglers (pp. 38-40)
Solo photos from our readers includes seven images from the William Turner Collection. The unknown soldiers pictured “look fiercely determined to win independence for the South.”

Back cover
A carte de visite from the Stephen Rogers Collection pictures a Union soldier with a large format camera.

Finding Aid: Autumn 2017

The complete issue

Vol. XXXV, No. 4
(80 pages)

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Inside

Cover image
A quarter-plate tintype from the Rich Jahn Collection pictures a dashing cavalry officer staring into the distance.
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Table of Contents (p. 1)
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Editor’s Desk (p. 2)
In “On Blue, Gray and Khaki,” the editor observes the commemoration of the centennial of World War I and reflects on how the timeline for MI has shifted from 1839 to 1939 when the magazine was founded to today’s primary coverage of the Civil War period.
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Mail Call (pp. 3-4)
Feedback includes praise for the last issue, information about image quality and submissions, and the debut of CivilWarPhotoSleuth.com at the Gettysburg Show.
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Passing in Review (p. 6)
Roger D. Hunt’s latest in the Colonels in Blue series profiles commanders in Illinois, Iowa, Minnesota and Wisconsin.
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Antebellum Warriors (p. 8)
A half-plate daguerreotype by Mathew B. Brady from the National Portrait Gallery Collection pictures John Pelham, the West Point cadet who reluctantly resigned to join the Confederate army after his home state of Alabama seceded from the Union. This image is part of a current National Portrait Gallery exhibit.

Most Hallowed Ground (p. 10)
Henry Meigs Meade, the nephew of Maj. Gen. George G. Meade and second cousin of Quartermaster Gen. Montgomery Meigs, had a tough time as a paymaster in the navy. Unaccounted funds and other irregularities resulted in his dismissal, but he was later allowed to resign.

Photo Sleuth by Kurt Luther (pp. 12-13)
Kurt identifies an officer, Capt. Thomas Whiting of the 89th Illinois Infantry, using traditional research methods and CivilWarPhotoSleuth.com.

The Honored Few (pp. 14-15)
In “Escape after Spotsylvania,” we meet Lt. Col. Edmund Rice of the 19th Massachusetts Infantry. Though he received the Medal of Honor for his actions during the Battle of Gettysburg, the story about his capture at Spotsylvania and eventual escape is less known—and illustrated with an albumen print of him with three fellow escapees.

Blue, Gray & Khaki (pp. 16-26)
A survey of 22 portraits of doughboys, Union veterans and Confederate veterans. Included in the group are two Civil War veterans still in uniform during World War I: William West Grant, who served in Brig. Gen. James H. Clanton’s Artillery Battery (Alabama) and Walter H. Thomas Jr. of the 29th Maine Infantry. Other identified soldiers are also included.

Doughboy: Origins of a Classic Americanism (p. 27)
Though “doughboy” was popularized during World War I, the origin of the word as a military term is disputed, with several explanations emerging over the years. This story examines six newspaper references from 1853-1865.

Keeper of History: Images from the Rich Jahn Collection (pp. 29-39)
Jahn, a respected collector, takes a long view of the hobby, “We never own these images. We are only the keepers of history during our tenure of collecting. Someday someone else will be looking at these soldiers and saying, ‘I wonder where this image came from. Who had it before me?’” A selection of his best images is included.

Unsung Pioneer Photo Collector: Samuel Crocker Lawrence and the Medford Collection by Ronald S. Coddington (pp. 40-47)
Quiet, unassuming and wealthy, Samuel Lawrence commanded the 5th Massachusetts Infantry at the First Battle of Bull Run, where he suffered a serious wound that ended his military service. He would go on to amass a collection of 3,680 Civil War photographs, which was rediscovered in 1990 after years of being forgotten.

Hagerstown’s Durable Man: A Marylander’s half century of military service spanned four wars by Stephen R. Bockmiller (pp. 48-51)
German immigrant George Leonard Fisher started his military service in 1862 with the 7th Maryland Infantry and ended it in 1917 as a drill instructor to troops recruited to fight World War I. The text is illustrated with seven portraits of Fisher.

Yankee & Doughboy: A trove of newly discovered photographs documents a father and son by Aaron D. Purcell, with images from the Jeremiah T. Lockwood, Jr. Collection, Special Collections, Virginia Tech (pp. 52-54)
Jeremiah Talcott Lockwood, Jr. was sent to the local insurance office to pay a bill on behalf of his father, and he wound up enlisting in the Union army. His life story, illustrated with eight portraits that span his long life, is included here.

Following the Torn and Bloodstained Colors: John Michener’s Civil War Odyssey by Dan Clendaniel (pp. 56-59)
Michener, an officer in the 85th Pennsylvania Infantry, had his first encounter of the war with Peace Democrats in the Keystone State before he ever stepped a foot into the Confederacy. He would go on to see his share of action in Southern territory. Captured in a skirmish on the outskirts of Savannah, Ga., he spent months in prison, where he was used for a time as human shield. The image is illustrated with his wartime portrait.

Camp Photographers: Pictures by the thousands by Ron Field (pp. 60-63)
According to the author, “Virtually every military encampment had a travelling photographer nearby or within its limits during the Civil War. This was particularly true in the North, where photographic chemicals and supplies were readily available throughout the conflict.” What follows is an exploration of how camp photographers got started, details of the studies and prop weapons, and information about Confederate picture-makers.

The Making of Major Hay: A rare portrait of Lincoln’s private secretary is an artifact from a special wartime mission by Paul Russinoff (pp. 65-67)
A rare image of President Abraham Lincoln’s personal secretary dressed in a senior officer’s uniform and seated with a friend is a token of friendship. It is also a relic tied to an Executive Order from the White House that sought to end the war in 1864 by bringing Confederate states back into the Union under the auspices of a deceptively simple idea. Lincoln’s “Ten-Percent Plan” was not well received—and neither was Hay.

Reminiscences of an Exiled Marylander: The life and services of McHenry Howard by Evan Phifer (pp. 68-70)
Howard, the grandson of “Star-Spangled Banner” author Francis Scott Key, left his Maryland home to fight for the South. He served in a variety of role and fought in numerous battles, which he duly noted in his autobiography, Recollections of a Maryland Confederate Soldier and Staff Officer Under Johnston, Jackson and Lee.

Uniforms & History by Michael J. McAfee (p. 71)
In “The Zouave Mystique and the New York State Militia,’” Mike observes that Elmer E. Ellsworth and his Chicago United States Zouave Cadets probably had limited effect on New York militiaman during the Cadet’s 1861 tour of the Empire State. The 13th New York Militia Infantry is a notable exception.

Scalpels to Swords: West Virginia physicians who became combat commanders by Richard A. Wolfe (pp. 72-73)
The author profiles three medical men who became effective battlefield commanders, including Henry Capehart of the 1st Cavalry, Thomas Maley Harris of the 10th Infantry and Irish-born Joseph Thoburn of the 1st Infantry.

Stragglers: Distinctive Images from MI contributors (pp. 75-77)
Seven images are included, and all are of Southern origin. None of the men are identified, but there are clues that may lead to a positive identity by an alert subscriber.

Sutler’s Row (p. 79)

The Last Shot (p. 80)
Corporal David Henry Bennett of the 28th New York Infantry left a note tucked into his photograph case that explains why he wears a Confederate cap. It also suggests he had a premonition of his own battlefield death. In fact, he was killed at Antietam.

Finding Aid: September/October 1998

The complete issue

Vol. XX, No. 2
(48 pages)

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Cover image
A tintype from the Richard Ricca Collection is a portrait of William Noll of the 11th New York Infantry’s Fire Zouaves. He suffered a wound and fell into enemy hands at the First Battle of Bull Run.

Table of Contents (p. 1)

Editor’s Desk (p. 3)
The editor reflects on the recent Gettysburg show, and notes that he shot five rolls of film during the event. He also promotes an MI slide show, “Mathew Brady’s World: Photography in the Civil War,” and answers a question about the use of derogatory terms for the enemy during times of war.

Mail Call (pp. 5-7)
Letters include praise for the magazine, a correction to the recent story, “The Man Who Could Be King” and a request for a feature about army- or depot-issued shirts.

Passing in Review (pp. 8-9, 42)
Seven publications are mentioned, including Lee’s Miserables: Life in the Army of Northern Virginia from the Wilderness to Appomattox (The University of North Carolina Press) by J. Tracy Power, Letters of a Civil War Nurse: Cornelia Hancock, 1863-1865 (University of Nebraska Press) edited by Henrietta Stratton Jacquette, Civil War Memories: The Collected Writings of William H. Busbey (Eagle Press) edited by Linda Zimmerman and more.

Honored Blades: Union officers & their swords by Robert T. Lyon (pp. 10-13)
A survey of 16 portraits of federal line officers illustrates an essay about the threefold importance of swords to those who carried them in the service of Northern arms. Positively identified men include Capt. Andrew Fagen of the 1st Pennsylvania Artillery, Capt. David Corbin of the 22nd Connecticut Infantry, Lt. Charles Bird of an unknown regiment and Capt. Eugene Miles of the 53rd Massachusetts Infantry.

Giving Johnny “Cold Iron:” An Irish immigrant in the 1st Connecticut Heavy Artillery by John Dwyer (pp. 14-17)
The life and war experience of John O’Brien (1839-1931) is told thanks to a collection of materials that include about 50 letters and a pair of cartes de visite that picture him as an enlisted man and an officer.

The Long Gray Line: An album of West Point graduates by David Neville (pp. 18-22)
A survey of 15 images includes eight portraits of cadets in their familiar uniforms with three columns of buttons. Other images picture West Pointers post-graduation. The collection spans the 19th century, though is focused on the Civil War period.

A Letter from the Peninsula: Writer identified through MI article by David S. Moore (p. 23)
This author, who serves as editor of Civil War Serials & Bibliography, connected a letter he had discovered some time ago to a reference in a 1988 story by David M. Sullivan in Military Images. That letter, and another letter written by the author to MI editor Harry Roach, is reproduced here. Also included is a portrait of Confederate soldier John L. Rapier, the writer of the letter.

North & South: An album of uncommon soldiers in the American Civil War (pp. 24-34)
This is a collection of mini-profiles of 16 enlisted men and officers by various authors. Each is illustrated with a wartime portrait. Union subjects include John Davis of the 123rd Ohio Infantry, George Perkins of the 19th Maine Infantry, Nathaniel Perkins of Dow’s 6th Maine Battery, De Van Postley of the 7th New York State Militia and the 174th New York Infantry, Robert Stokes of the U.S. Marine Corps and the 19th and 72nd Pennsylvania Infantries, Frederick Cordes of the 42nd Pennsylvania Infantry, Henry Cordes of the 18th U.S. Infantry, Norvell F. Churchill of the 1st Michigan Cavalry, Joseph Meals of the 15th Pennsylvania Cavalry, William C. Mills of the 21st Illinois Infantry and William Noll of the 11th New York Infantry (cover image). Confederates include Walter Kennedy of the Confederate army and later the 7th U.S. Cavalry, Andrew Lee of the 41st Alabama Infantry, George E. Lavender of Phillips Legion Cavalry (Georgia), John H.L. Bray of the 9th Texas Infantry and Frank Huger of the Virginia Artillery.

“A Thousand Boys in Blue…:” The 1st South Dakota Volunteers,1898-99 by David A. Norris (pp. 35-37)
This unit history, which begins with the regiment’s departure for the Philippines in July 1898 and ends with its return to the U.S. in September 1899, is illustrated with an image of the South Dakotans aboard the vessel Rio de Janeiro at the beginning of their deployment.

An Ironclad Forgery by Jerry Harlowe (pp. 38-39)
Reprinted from the January-February 1990 issue of MI, images and text answer the question “When is a monitor not a Monitor?

Uniforms & History by Michael J. McAfee (pp. 40-41)
In “The Lafayette Guard,” McAfee explores the history and gray uniforms of the 55th New York Infantry, also known as “The Lafayette Guard” or “The Guard de Lafayette.” The text is illustrated with portraits of the regiment’s colonel, Philipe Regis de Trobriand, and an unidentified private.

The Auction Block (p. 43)

Capt. Bob’s Caveat Emptorium (p. 43)
In this installment, the captain informs his loyal readership that he has temporarily suspended his column because he is at “Uncle Sam’s minimum-security facility at Allenwood, Pennsylvania on a conviction for image tempering.” This does not prevent him, of course, from sharing an image of the father of sculptor Ron Tunison.

Sutlers’ Row (pp. 44-47)

Stragglers (pp. 48)
A sole straggler is an infantryman who probably hails from New York.

Back cover
A sixth-plate ambrotype from the Rick Mack Collection pictures a soldier purportedly from North Carolina.

Finding Aid: July/August 1998

The complete issue

Vol. XX, No. 1
(40 pages)

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Cover image
A cabinet card from the Anthony Gero Collection is a picture of a young Spanish-American War volunteer.

Table of Contents (p. 1)

Editor’s Desk (p. 3)
The editor announces the commemoration of the centennial of the Spanish-American War and thanks supporters as we begin our 20th year of publication.

Mail Call (p. 5)
Letters include comments on Georgia photographers, Captain Bob, the 6th North Carolina belt buckle and Mobile, Ala., volunteers.

Passing in Review (p. 6)
Five publications are mentioned, including The Wilderness Campaign (University of North Carolina Press) by Gary W. Gallagher, Army of Amateurs: General Benjamin F. Butler and the Army of the James (Stackpole Books) by Edward G. Longacre, The United States Marine Corps in the Civil War—The Second Year (White Mane) by David M. Sullivan, We Came to Fight: The History of the 5th New York Veteran Volunteer Infantry, Duryee’s Zouaves (Schroeder Publications) by Patrick A. Schroeder and Riding with Rosser (Burd Street Press) edited by S. Roger Keller.

On to Cuba!…and Puerto Rico, Hawaii, Guam, the Philippines: Images of the Spanish-American War from the collections of our readers (pp. 7-18)
A survey of 40 images includes a variety of outdoor and indoor views of soldiers. Included are two photographs of Theodore Roosevelt, an image of Joseph Wheeler and other officers and enlisted men.

Capt. Bob’s Caveat Emptorium (p. 19)
In this installment, the sly captain tries to sell readers a grouping of foreign troops—but they are really members of the U.S. VIII Corps, circa 1898.

British Rifle Volunteers of the 1860s: Don’t mistake John Bull for Johnny Reb by Philip Katcher (pp. 20-23)
An analysis of the uniform and equipment of British rifle volunteers is illustrated with six related images.

Spanish Troops in the Philippines, 1896-98 by Ron Field (pp. 25-27)
A uniform analysis provides details on all aspects of the clothing of these soldiers. The text is illustrated with seven images.

Adventures in Paradise: The 1st New York Volunteers in Hawaii, 1898 by Anthony Gero and Roger Sturcke (pp. 28-32)
This unit history traces the regiment from the Declaration of war against Spain through its five-month stay in Hawaii. A total of 14 images illustrates the text.

Uniforms & History by Michael J. McAfee (pp. 33-34)
In “71st Regiment, N.G.N.Y., ‘The American Guard,’ 1898,” McAfee examines the quintessential American army uniform and record of this Empire State regiment. The column is illustrated with a glass lantern slide of troops on parade.

The Auction Block (p. 34)

Sutlers’ Row (pp. 35-37)

Stragglers (pp. 38-40)
Solo photos from the collections of our readers is themed “Strong Men Armed.” It includes nine images that span from the Civil War through World War I.

Back cover
A cabinet card from the B. William Henry Collection is a portrait of QM Sgt. John H. Laabz of the 2nd Wisconsin Infantry, dated Sept. 18, 1898.

Finding Aid: May/June 2000

The complete issue

Vol. XXI, No. 6
(40 pages)

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Cover image
carte de visite from the Michael J. McAfee Collection pictures Julia Wood, who was photographed in Auburn, N.Y.

Editor’s Desk (p. 3)
The editor dedicates his comments to the January-February 2000 cover image, thought to be John Singleton Mosby. The outpouring of challenges to the identification ended in a retraction. Mosby Verdict In: Editor Guilty.

Mail Call (pp. 4-5)
Letters include comments about the 3rd New Jersey “Butterflies” and praise for the New York issue.

An Army of Women: A look at non-uniformed participants in the Civil War by Juanita Leisch (pp. 6-11)
A survey of 13 images of women illustrates text that summarizes Civil War era fashions inspired by military and patriotic themes.

Hardtack & Hairnets: Women in photographs of the Union army by Cricket Bauer (pp. 12-19)
A survey of 14 images, all outdoor views, include well- and lesser-known examples of women in camp.

Viva la Vivandières: A short history of women in pseudo-military costume by Cricket Bauer (pp. 20-24)
From “French Mary” Tepe to acclaimed opera singer Clara Louise Kellogg, military and patriotic costumes suggest Vivandières. This is not always the case, suggests the author Eight images make the point.

Patriots in Petticoats: Vivandières, Cantinières, Actresses & Daughters of the Regiment: A survey from the collections of our readers (pp. 25-30)
A total of 19 images picture a great variety of dress. Positively identified images include actress Lillie Eldridge, opera singer Clara Louisa Kellogg, Dr. Mary Walker and Sarah Burnett.

Pauline Cushman, Union Spy by Michael Fitzpatrick (pp. 31-34)
A biography of the well-known actress and spy is described as an enigmatic paradox by the author, who provides basic biographic details of her life. The text is illustrated with an image of Cushman, and another image Union Gen. Gordon Granger, one of the many high-ranking officers North and South to fall under her spell.

Captain Bob’s Caveat Emptorium (p. 35)
A rare soldier in a skirt is a great bargain—or is it?

Passing in Review (p. 36)
Two publications are mentioned, including Third Alabama! The Civil War Memoir of Brigadier General Cullen A. Battle, CSA (University of Alabama Press) edited by Brandon H. Beck and The Union Image: Popular Prints of the Civil War North (The University of North Carolina Press) by Mark Neely Jr. and Harold Holzer.

Sutler’s Row (pp. 38-40)

Back cover
An image from the Michael Kraus Collection is titled “Ready to Ride!”

Finding Aid: September/October 1997

The complete issue

Vol. XIX, No. 2
(40 pages)

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Cover image
A sixth-plate ambrotype from an anonymous collector is a portrait of Solomon Moore of the 6th North Carolina Infantry.

Editor’s Desk (p. 3)
The editor shares comments about a portrait of a soldier thought to be concealing a chicken in his vest.

Mail Call (pp. 4-5)
Letters include nine comments, and the headline for each begins with “Not.”

Passing in Review (pp. 6-7)
Five publications are mentioned, including The Darkest Days of the War: The Battles for Iuka and Corinth (University of North Carolina Press) by Peter Cozzens, The World Will Long Remember: A Guide to the Battle of Gettysburg (White Mane) by Joanna McDonald, Mexican-American War 1846-48 (Brassey’s) by Ron Field and Lincoln’s Admiral: The Civil War Campaigns of David Farragut (Wiley & Sons) by James P. Duffy.

A.S. Morse’s Gallery of the Cumberland: A prolific photographer in the Western Theater by L.S. Kite (pp. 8-12)
A survey of 15 cartes de visite discovered in album and attributed to A.S. Morse includes an account of how the images came into the author’s possession, and a request to readers for any information about this camera operator.

Southern Faces: A Confederate gallery from the collections of our readers (pp. 13-19)
A survey of 25 portraits, primarily tintypes and ambrotypes, includes descriptive captions. Positively identified soldiers include Robert H. Batchelor of the 1stNorth Carolina Infantry, Daniel Slayton of the 38th Virginia Infantry, James West of Morgan’s Kentucky Squadron, John Brown Jr. of the 7th Florida Infantry, George E. Smith of the 44th Virginia Infantry, William Callaway of the 9th and 12th Louisiana Infantries, Robert Blount Rivers of the 42nd Alabama Infantry, John J. Rooks of the 15th Confederate Cavalry, William Watson Beard of the 16th Georgia Infantry, Washington Green Bohaning of the 5th Arkansas Infantry, Mark Lowrey of the 4th Mississippi Infantry, John Lyon of the 7th South Carolina Infantry, William Jenkins of the 1st North Carolina Junior Reserves (70th North Carolina Infantry), John and George Peden of the 6th Kentucky Infantry and Willis S. Roberts of the 4th Kentucky Infantry.

A Photograph of the C.S.S. Alabama…at Last by David M. Sullivan (pp. 20-21)
Tucked away in the files of the Tennessee State Library and Archives is the only known photograph of the famed commerce raider. The image was rediscovered by the author. His History of the Marine Corps in the Civil War was recently published.

“A Sickening, Heart-Rending Sight:” 6th Regiment North Carolina State Troops at the Battle of First Manassas by Greg Mast (pp. 22-28)
A detailed account of the regiment in the First Manassas Campaign is illustrated with eight portraits. They include Col. Charles Fisher, privates and brothers William Anderson Roberts and John L. Roberts, privates and brothers John D. Huskey and James Huskey, 2nd Lt. Quentin Thatch Anderson, Capt. Isaac Avery, Lt. William Preston Mangum and Pvt. Newton Branch.

My Darling Wife…Three letters from the colonel of the 15th Georgia edited by William Stier (pp. 29-32)
The letters from William Millican to his wife, Jane, date from the early period of the war: April 30 and Sept. 15, 1861, and May 29, 1862. Millican was killed in action during the Battle of Antietam.

The Auction Block (p. 33)
Latest auction news.

Cover story (p.34)
Details of the 6th North Carolina State Troops waist belt plate are discussed.

Uniforms & History by Michael J. McAfee (p. 35)
In “3rd Regiment, Massachusetts Volunteer Militia, Three Months Service, 1861,’We Marched to the Music of the Union,” McAfee explores the history and distinct gray uniforms of this regiment. The text is illustrated with a group portrait of three soldiers who served in its ranks, Alvin Vaugh, Levi P. Brown and Robert Parris.

Sutler’s Row (pp. 36-37)

Stragglers (pp. 38-40)
Solo photos from our readers includes a cigar-smoking woman in soldier’s dress and three men in gray who might be mistaken for Confederate soldiers.

Back cover
A cabinet card from the collection of Mark Gaynor pictures a young John J. Pershing as a first lieutenant in the 10th U.S. Cavalry, circa 1895.

Finding Aid: July/August 1997

The complete issue

Vol. XIX, No. 1
(40 pages)

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Inside

Cover image
carte de visite from the Paul Johnson Collection pictures a surgeon pretending to operate on the finger of a woman.

Editor’s Desk (p. 3)
The editor observes that the Gettysburg Show will be held in the new Sports Complex adjacent to the previous venue at the Eisenhower Inn and mentions the ongoing work of Seward Osborne regarding the 20th New York State Militia of Ulster County.

Mail Call (pp. 4-5)
Letters include praise for the Stametelos issue and feedback about heavy headgear.

Passing in Review (pp. 6-7)
Nine publications are mentioned, including Diary of a Yankee Engineer (Fordham University Press) edited by Anita Palladino, A Yankee Spy in Richmond, the Civil War Diary of “Crazy Bet” Van Lew (Stackpole Books) edited by David D. Ryan, Civil War Battlefields and Landmarks: A Guide to National Park Sites (Random House) edited by Frank E. Vandiver, Julian Scott, Artist of the Civil War and Native America (McFarland & Company) by Robert Titterton and more.

Gettysburg ’96: A selection of images seen at last year’s Gettysburg Show (pp. 8-16)
A selection of 31 images includes a wide variety of portraits. On one end is a 1930 photo of bikini-clad woman standing with their rifles and the other end is the navy’s Benjamin Horton Porter, an up-and-coming officer killed in action at Fort Fisher, N.C., on Jan. 15, 1865.

Palmetto Soldiers on the Fields of the West: 10th & 19th South Carolina Infantry in the Army of Tennessee by John Mills Bigham (pp. 17-19)
A brief summary of the South Carolinians is illustrated with portraits of Calvin Foxworth, John S. Palmer and his wife, Alice, James F. Carraway, Moses Norris Holstein and the battle flag of the 10th.

The “Forgotten” Fifteenth Infantry: Service in China, 1912-1938 by Richard S. Faulkner (pp. 20-23)
In January 1912, the War Department ordered a battalion of the 15th U.S. Infantry to move from the Philippines to China to quell threats to American civilians and interests. The number of soldiers soon increased. No one imagined the deployment would last 26 years. The text is illustrated with six related images of the regiment.

The Grim Face of War: A somber album from the collections of our readers (pp. 24-29)
A survey of amputees and other men disfigured from wounds suffered during the Civil War features 15 men. They include Richard D. Dunphy of the Hartford, a blinded soldier, Alfred A. Stratton of the 147th New York Infantry, Charles Kramer of the 6th Pennsylvania Reserves, Walter F. Halleck of the 11th Michigan Infantry, Charles Dunn of the 5th Michigan Cavalry, Lewis Martin of the 29th U.S. Colored Infantry, George Carr of the 30th U.S. Colored Infantry, Neal Wicks of the 4th U.S. Colored Infantry, Oliver Scott of the 30th U.S. Colored Infantry, Charles Harris of the 31st U.S. Colored Infantry, Sidney M. Ballard of the 39th North Carolina Infantry and William McNulty of the 10th New York Infantry.

Early American Machine Guns: Photo postcards from the collection of Herb Peck Jr. (pp. 30-31)
Six images show the Colt Models 1895 and 1909 and the .30/06 Lewis machine guns ion military settings.

Light & Shadow (p. 32)
Longtime contributor Karl Sundstrom spotted a fake Civil War carte de visite at a collector’s show in Nashville, Tenn., and offered his thoughts about the image and those who would produce them with intent to defraud.

Uniforms & History by Michael J. McAfee (p. 33)
In “47th Regiment, New York Volunteer Infantry, ‘The Washington Grays,’” McAfee explores the history and uniforms of this hybrid Zouave regiment. The text is illustrated with a portrait of an enlisted man who wears the regiment’s unique armband.

The Auction Block (p. 34)
Latest auction news.

Sutler’s Row (pp. 35-37)

Captain Bob’s Caveat Emptorium (p.37)
The Captain has a super rare naval Zouave image to sell you!

Stragglers (pp. 38-40)
Solo photos from our readers includes a portrait believed to be Philip Sheridan, a circa 1895navy band, a quarter-plate tintype believed to be a scene of Fort Donelson, Tenn., and World War I hero Alvin York.

Back cover
An image from the Dent “Wildman” Myers Collection is a portrait of a Confederate soldier with a huge side knife.

Finding Aid: November/December 1996

The complete issue

Vol. XVIII, No. 3
(40 pages)

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Inside

Cover image
carte de visite from the Seward Osborne Collection pictures soldiers from Company D of the 29th New York Infantry.

Editor’s Desk (p. 3)
The editor takes issue with a reader who wrote to complain that casualties have been overemphasized in the magazine. He also notes that Military Images now has email: milimage@csrlink.net.

Mail Call (pp. 4-5)
Letters include details about the September/October 1996 cover, an issue with the identification of a vessel as the Kearsarge and praise for the recent Gettysburg issue.

Passing in Review (pp. 6-7)
Eight publications are mentioned, including Red Diamond Regiment (White Mane Press) by William B. Jordan, Conquering the Valley: Stonewall Jackson at Port Republic (William Morrow & Co.) by Robert K. Krick, Grant’s Canal (White Mane Press) by David F. Bastion, American Military Belt Plates (O’Donnell Publications) by Michael O’Donnell and J. Duncan Campbell and more.

Armed Camps & Grecian Urns: More Painted Backdrops in Civil War Photography (pp. 8-19)
A survey of 50 Civil War portrait photographs of soldiers and sailors includes an array of military and non-military back drops.

Uncommon Cavalrymen: Vignettes of Mounted Men from the Civil War Era (pp. 20-26)
A total of nine troopers are featured, including Samuel H. Painter of the 1st Michigan Cavalry, Llewellyn G. Estes of the 1st Maine Cavalry, George H. Harbaugh of Breathed’s Virginia Battery, Stuart’s Horse Artillery, C. Milton Parkins of the 1st and 15th Virginia Cavalries, John S. Perry of the 2nd Florida Cavalry, Daniel Henry Chamberlain of the 5th Massachusetts Cavalry, Francis S. Davidson of the 5th Massachusetts Cavalry, William Unversagt of the 4th Pennsylvania Cavalry and William H. Stock of the 17th Illinois Cavalry.

The Forgotten Thirty-Fourth: New Jersey’s 34th Infantry in the Civil War by William Goble (pp. 27-31)
The Jerseymen who served in this regiment labored behind the scenes, fighting guerillas in Mississippi and other areas in the South, with little fanfare. This history of the regiment is illustrated with portraits of Lt. Col. Timothy C. Moore, 1st Lt. John Schwartz, Hospital Steward Hiram J. Noyes, 1st Lt. Augustus Grobler, Capt. Martin L. Haines, Capt. Henry Reed, 1st Lt. Charles Seamen and 2nd Lt. Jonas Gilson.

Uniforms & History by Michael J. McAfee (pp.32-33)
In “Les Enfants Perdus: The “Lost Children” of the Independent Battalion, New York Volunteer Infantry, 1862-1864,” McAfee explores the history and uniforms of this regiment of bastard children. The text is illustrated with portraits of an unidentified officer and an enlisted man, and an outdoor image of men in Yorktown, Va.

Captain Bob’s Caveat Emptorium (p.35)
The Captain is at it again! This time, he’s trying to pass off a view of a dead man as an Antietam battlefield casualty taken by Mathew Brady.

The Auction Block (pp. 36-37)
Latest auction news.

Stragglers (p. 38)
Solo photos from the collections of our readers include two outdoor views of Company A of the 50th Illinois Infantry and another group who may be Rhode Islanders.

Sutler’s Row (pp. 39-40)

Back cover
A real photo postcard from the Alan Leach Collection is a portrait of a lieutenant who wears a rare aerial badge, the “Fighting Observer” wings.