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Archives for : Civil War photography

Faces of Freedom Exhibit Travels to the Lincoln Depot Museum

We are thrilled to announce that our traveling exhibit, Faces of Freedom, is coming to the Lincoln Depot Museum in Peekskill, N.Y. The exhibit will be on display from June 7 through July 12, 2025, offering visitors a powerful opportunity to connect with the courageous Black men who fought for freedom during the Civil War.

Established in 2019, Faces of Freedom first appeared at the Hubbard House Underground Railroad Museum in Ashtabula, Ohio. After a pause due to COVID, the exhibit resumed its travels in 2024, stopping at the Goodridge Freedom Center and Underground Railroad Museum in York, Pa., followed by Manassas National Battlefield Park. Now, we are honored to bring this exhibit to the Lincoln Depot Museum.

The Lincoln Depot Museum is a fitting location for this unique exhibit. President Abraham Lincoln traveled by rail through Peekskill on the way to his first inauguration in 1861. Two years later, Lincoln signed the Emancipation Proclamation, an executive order that paved the way for the enlistment of Black men in the Union Army and Navy. The soldiers featured in Faces of Freedom fought for the very cause Lincoln championed—freedom and equality.



The exhibit features 37 stunning, high-quality prints of wartime portraits of Black soldiers and sailors who served in the U.S. Colored Troops (USCT) and Navy. Each portrait is paired with a compelling biographical sketch detailing their wartime experiences—some gave their lives in service of a more perfect Union, while others continued their fight for justice as Buffalo Soldiers in the West.

This special exhibit is made possible by Military Images, with assistance from the Goodridge Freedom Center and Underground Railroad Museum. Editor and Publisher Ron Coddington shares, “We are excited to bring these incredible portraits and stories to the Lincoln Depot Museum, where visitors can truly appreciate the bravery and sacrifice of these men who shaped our nation’s history.”

The images on display come from both private collectors and esteemed public institutions. We extend our deepest gratitude to the following individuals for sharing images from their collections: Jonathan Beasley, David E. Brown, Kevin Canberg, Glen Cangelosi, Ronald S. Coddington, Greg French, Thomas Harris, Ross Kelbaugh, C. Paul Loane, Steve Meadow, Ronn Palm, and Paul Russinoff.

We also thank the following institutions for their contributions:

  • Beinecke Rare Book and Manuscript Library, Yale University
  • The Lawrence T. Jones III Collection at DeGolyer Library, Southern Methodist University
  • Gettysburg National Military Park Museum
  • Kansas State Historical Society
  • The Liljenquist Family Collection at the Library of Congress
  • National Archives
  • West Virginia and Regional History Collection, West Virginia University Libraries
  • Manuscripts, Archives, and Rare Book Library, Robert W. Woodruff Library, Emory University

Don’t miss this extraordinary opportunity to experience history up close and honor these forgotten heroes. Visit the Lincoln Depot Museum in Peekskill, N.Y., and immerse yourself in the powerful stories of the Faces of Freedom.

For more details about the exhibit and museum hours, please visit https://lincolndepotmuseum.org/.

The Spring 2025 Issue

A complete table of contents for the Spring 2025 issue of Military Images magazine, and information about how to purchase single issues and subscriptions.

Vol. XLIII, No. 2
(80 pages)

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Inside

Cover
A tintype from the Dan Schwab Collection pictures Confederate Col. Evander Mciver Law recuperating from the wound he suffered at the First Battle of Manassas.

Table of Contents (p. 1)

Editor’s Desk (p. 2)
After Kolt Massie alerted me about a tintype picturing Evander M. Law recovering from his First Manassas wound, I reflected on the thrill of Civil War photography discoveries.

Mail Call (pp. 3-4)
Feedback includes an appreciation for John Walsh’s Fort Donelson feature, Kurt Luther’s Photo Sleuth column, Paul Russinoff’s story about a Michigan cavalryman, and more.

Military Anthropologist (p. 4)
A review of shot fractures of limbs in The Medical and Surgical History of the War of the Rebellion reveals the success rates of conservation, excision, and amputation.

Passing in Review (p. 6)
Righteous Strife by Richard Carwardine, published by Knopf Doubleday, explores how religious nationalism shaped Lincoln’s Union and the Civil War’s moral battles.

Photo Sleuth by Kurt Luther (pp. 8-10)
Photo sleuthing Civil War portraits requires triangulating names, units, and ages to ensure accurate IDs, revealing lost soldier stories and correcting mislabeling.

Antebellum Warriors (p. 12)
A daguerreotype of an unidentified 1840s-50s militia soldier showcases distinctive insignia, a Model 1840-style sword, and period-specific uniform details.

Most Hallowed Ground (p. 14)
Edmund C. Bainbridge, a career U.S. Army officer, served in key Civil War campaigns before retiring as a colonel. He was buried with honors at Arlington.

The Honored Few (p. 16)
At Petersburg, John W. Boutwell of the 18th New Hampshire Infantry rescued a wounded comrade. Decades later, he and another soldier received the Medal of Honor.

The Citizenry (p. 18)
Love of country fills this portrait of a patriotic woman, likely a fundraising image from the 1864 Mississippi Valley Sanitary Fair, featuring the Old Guard’s flag and liberty cap.

Of Arms and Men by Phil Spaugy (pp. 20-22)
Colonel Lew Wallace found a dead Confederate’s ornate Tryon & Co. muzzle-loading rifle at Fort Donelson in 1862, and took it home as a battlefield souvenir.

Wounded Warriors: Slings, crutches, and missing limbs are emblems of personal ;pass and patriotic sacrifice(pp. 22-36)
A photographic survey of Civil War amputees and other wounded soldiers and sailors, their societal impact, medical treatment, and portraits of the veterans.

Gifted Scholar, Faithful Christian, Reluctant Soldier: The life and times of Virginia professor and artillerist Lewis Minor Coleman by Ronald S. Coddington, with images from the Dave Batalo Collection (pp. 38-45)
Lewis Minor Coleman, an educator turned Confederate officer, sought to balance duty, faith, and the horrors of war. His service culminated at Fredericksburg.

A Useful Life: Sarah Chamberlin Eccleston, Civil War nurse and educator by Sidney Dreese (pp. 46-48)
Sallie Chamberlin defied age restrictions to serve as a Civil War nurse, later pioneering kindergarten education in Argentina. She lived a life of service.

Cruising the Potomac and Elsewhere with Brig. Gen. John P. Slough’s Brigade Band by Ronald S. Coddington, with images from the Mark Jones Collection (pp. 50-55)
Formed from the 60th New York Infantry, Slough’s Brigade Band played at key Civil War events in Alexandria, Va., and Washington, D.C.

Winslow’s Homer’s Use of Portrait Photographs in Civil War Era Illustrations by Rick and Victoria Britton (pp. 57-60)
A recently discovered sketch of Gen. Montgomery Meigs adds to Winslow Homer’s rich artistic legacy. The famed Civil War illustrator captured wartime life in Harper’s Weekly.

Wherever He Went, He Found History: Remembering Alex de Quesada, 1965-2024 by Ronald S. Coddington(pp. 62-64)
Alex de Quesada (1965-2024) was a passionate historian, collector, and author, known for his militaria expertise, vast artifact collection, and love of Star Wars.

Material Culture by Frank Graves (p. 66)
An early 1840s daguerreotype features an unknown man holding a U.S. Model 1805 Harpers Ferry flintlock pistol, the first military handgun made by a U.S. national armory.

Women of War by Melissa A. Wynn (pp. 68-69)
Clara Barton, Civil War nurse and founder of the Missing Soldiers Office, helped families locate lost loved ones and later established the American Red Cross.

Behind the Backdrop by Dave Batalo (p. 70)
A look at a painted camp and forts backdrop that appears in Confederate soldier portraits; it may be connected to a Fredericksburg photographer.

Vignette by Scott Valentine (p. 72)
First Lt. and Adjutant Orett Munger of the 44th New York Infantry was captured at Laurel Hill but freed by Gen. George Armstrong Custer’s cavalry. After the Civil War he settled in Chicago.

Stragglers (p. 74)
Confederate and Union soldiers pose for portraits, showcasing unique uniforms, tinting, and photography techniques by Charles R. Rees and other artists.

The Last Shot (p. 80)
A Confederate captain poses in a rustic studio scene with a tree-trunk chair and table, holstered sidearm, and missing coat button.

New Column: “Of Arms and Men” by Phil Spaugy

I am thrilled to welcome Phil Spaugy as a Senior Editor and columnist. His inaugural column, “Of Arms and Men: At the intersection of photography and ordnance technology,” debuts in this issue. I’ve known Phil for some years now, and he’s the trusted source I’ve turned to time and again to identify long and side arms in photographs. His knowledge, enthusiasm, and collaborative spirit are infectious. A longtime member of the North-South Skirmish Association (N-SSA), Phil has served in numerous offices, including National Commander and the Board of Directors. He has also been active with the N-SSA’s Union Guards, 19th Indiana Infantry. Phil studies arms and accouterments of federal infantry soldiers with an emphasis on his home state of Ohio, firearms of the U.S Arsenal at Harpers Ferry, and the Iron Brigade.

Phil’s inaugural column, “The Invincible Buckeyes of the 4th Ohio Volunteer Cavalry,” explores a sixth-plate tintype in the Paul Reeder Collection of an unidentified trooper. Phil details the weapons in the portrait and, thanks to a newspaper clipping tucked into the case, connects the image to Huntsville, Ala., where this image may have been taken.

Please join me in welcoming Phil and “Of Arms and Men” to MI.